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Directed by : Jane Musky, John Ross, Will Ferrell, Jennifer Lopez, Sean McCormack, Gayle Keller, Robert Simonds, Elaine Goldsmith-Thomas, Adam McKay, Benny Medina

Produced by : Jane Musky, John Ross, Will Ferrell, Jennifer Lopez, Sean McCormack, Gayle Keller, Robert Simonds, Elaine Goldsmith-Thomas, Adam McKay, Benny Medina

Starring : Constance Wu, Jennifer Lopez, Julia Stiles, Keke Palmer, Lili Reinhart, Mercedes Ruehl, Cardi B, Lizzo, Mette Towley, Madeline Brewer

Company : Annapurna Pictures, Gloria Sanchez Productions, STX Entertainment, Nuyorican Productions

Release date(s) : 2019-09-12

Running time :110 Minutes

Country  : United States

Language :English, Español, Pусский

Budget :  $20,000,000

Storyline :

Directed by : Debra Zane, Terri Taylor, Linda DeScenna, Richard Beggs, David Newman, David Newman, Tom Johnson, Mark Johnson, Tim Holland, Albert Wolsky

Produced by : Debra Zane, Terri Taylor, Linda DeScenna, Richard Beggs, David Newman, David Newman, Tom Johnson, Mark Johnson, Tim Holland, Albert Wolsky

Starring : Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, Daryl Mitchell, Enrico Colantoni, Robin Sachs, Jed Rees, Justin Long

Company : Gran Via Productions, DreamWorks Pictures

Release date(s) : 1999-12-23

Running time :102 Minutes

Country  : United States

Language :English

Budget :  $45,000,000

Storyline : If you are thinking this sounds like a spoof of Star Trek you're on the right track. Tim Allen (Home Improvement, Last Man Standing) adds his brilliant comedic contribution to this star studded cast which includes Sigourney Weaver, Tony Shalhoub, Alan Rickman, and Sam Rockwell. They are the aging stars of the one time hit TV series Galaxy Quest. None of them have worked much since the series ended and they make a meager living reprising their characters at various sci fi conventions, or worse, store openings. Tim Allen loves appearing for die hard fans of the show as "Commander Jason Nesmith", but none of the other cast members are very thrilled about these appearances, and resent the attention the "Commander" receives.
The cast finds a high quality mock up of the show's space ship at a store opening appearance, as well as some "extras" who are nothing if not 'in character' as members of an alien race seeking help from the famous crew.
Before they realize what has happened they find themselves in space on a real life adventure. This is a FUNNY movie which had me laughing to the end. I was really sorry when it was over, I loved it that much.
Really good watch, would watch again, and can recommend, especially for Star Trek fans.

This has a sufficiently high production value, but I think a lot of the budge went to hiring the cast, and building the locations, especially the ship. It's probably the chief reason why (at least I feel it is the case) people have wanted to do spoofs of Star Trek since the original series, but only "Galaxy Quest" and "The Orville" have really made the attempt. Usually the reaction is to take it in its own serious direction, like Babylon 5, and even "The Orville" lands in between.

I think my favorite aspect of this movie is that it's actually very similar to "The Invention of Lying" where not only does an alien race build a starship, hands it to Terrans, and then we just keep up the ruse so we can have a starship. While I think the more interesting aspect is the same things that we see in "Star Trek": the interactions between xenos and Terrans and the reflective aspects of humanity, the audience is quickly reminded that it's a comedy throughout the movie.

Everyone of the actors is funny, there's even a young Justin Long here, and while there is sufficient action / drama to move the story forward with some substance, it's the comedy that you're going to remember here. Alan Rickman and Tim Allen fighting, Sigourney Weaver translating from human to ship, and general awkwardness of situation.

It's a good watch, and I think that whether or not you're a fan of "Star Trek", then I think there is something at which you can laugh.

Directed by : Alan Silvestri, Dean Tavoularis, Dean Cundey, Penny Rose, Erich Kästner, Nancy Meyers, Nancy Meyers, Bruce A. Block, David Swift, Stephen A. Rotter

Produced by : Alan Silvestri, Dean Tavoularis, Dean Cundey, Penny Rose, Erich Kästner, Nancy Meyers, Nancy Meyers, Bruce A. Block, David Swift, Stephen A. Rotter

Starring : Lindsay Lohan, Dennis Quaid, Natasha Richardson, Elaine Hendrix, Lisa Ann Walter, Simon Kunz, Ronnie Stevens, Michael Lohan, Michael Lohan Jr., Kat Graham

Company : Walt Disney Pictures

Release date(s) : 1998-07-28

Running time :127 Minutes

Country  : United States

Language :English, Français, Português, Español

Budget :  $15,000,000

Storyline : Mischief Loves Comedy! "The Parent Trap" is a remake of the original 1961 film by Walt Disney Productions. Starring Dennis Quaid, Natasha Richardson, Lindsay Lohan and Elaine Hendrix. The film begins with Nicholas Parker (Quaid) and Elizabeth James (Richardson) meeting on the Queen Elizabeth II. The two fall in love and decide to become husband and wife, and we are treated to a beautifully choreographed wedding ceremony. The movie skips to 11 years later, the couple has divorced and has full custody of each of their daughters, Hallie and Annie. The girls then meet up at a summer camp and engage in a rivalry. However when one pranks goes too far they must share a cabin together.

Though initially at each other's throats the girls learn to bond and get along. Discovering they share the same birthday and only have one parent and one photograph of their respective parents, the girls discovered that their half-pictures make a complete picture. The girls then realize that they are twins, and devise a plan to reunite their parents. Through coaching and hair trimming Hallie and Annie take each other's places. Hallie goes to London under the guise of Annie James, and is taken home where she meets her mother for the very first time. Annie under the guise of Hallie goes back to Napa and is thrilled to see her father for the first time.

Hallie and Elizabeth bond when she is asked to go to work and help out a client with her wedding attire. Annie and Nick arrive home and Annie is shocked to find that her father is seeing another woman (Hendrix). Chessy (Lisa Ann Walters), Nick's nanny is very distrustful of her and assumes she is a gold digger. Nick formally introduces her as Meredith Blake, and Annie is forced to meet her and tells Meredith that Nick has a system for meeting new women. Annie then decides to call Hallie and alert her that their father is in love, despite her pleas to bring Elizabeth to America Hallie refuses.

Meanwhile, Chessy is suspicious of Annie who is opposite Hallie: neat as a pin, has a small appetite and notices that Hallie's dog is acting strange around Annie. Annie desperately tries to sabotage Nick and Meredith's unexpected engagement. While Elizabeth, Martin and Grandfather are suspicious of Hallie when her mannerisms are not like Annie's. Desperate, Annie calls Hallie and insists that if they want their parents to remarry they have to bring Elizabeth to America and sabotage the engagement together. Hallie then realizes that it is time to come clean, and tells Elizabeth the truth.

Elizabeth then decides to fly to America, but hesitant and stressed insists that Martin chaperone her. Annie arranges for Elizabeth, Hallie and Martin to meet Nick and Meredith's parents at the Stafford Hotel. The plan works but Elizabeth is furious to learn that the girls are plotting to reunite her with Nick. Unfortunately, Meredith learns that the girls are twins and that Nick and Elizabeth were married. The girls then decide to recreate their parents' first date, but it does not phase either Nick or Elizabeth. One last ditch effort is to convince Elizabeth to go with Nick and Hallie on an annual camping trip.

Elizabeth through means of trickery makes Meredith go in her place. After a series of pranks such as rocks in her sack, a lizard in her hair and pushing her air mattress into the water Meredith snaps. She then insists that Nick make a decision his daughters or his fiancee. Nick realizes that Meredith is a gold digger and a shrew and coldly breaks up with her by choosing Hallie and Annie. Elizabeth shocked to discover Meredith has broken up with Nick, reveals that Martin and Chessy have started a relationship. Nick decides to show Elizabeth his vintage wine collection and tells her that he now owns the rights to the wine they drank at their wedding. Elizabeth tearfully decides to go back to London, as everyone says good-bye Nick and Hallie decide that they can't lose their family again.

Hallie and Nick surprise Annie and Elizabeth when they arrive home. Nick then says he is not willing to lose her again, Elizabeth at first is hesitant to accept his offer but then realizes she has loved him all along. The two then share a passionate kiss and get remarried upon the same ship. The movie ends with photos from the wedding and Martin surprising Chessy by popping the question.

As far as remakes go, this one has a lot to offer for both the adults and kids. The humor and hijinks are hilarious and very well-done, similar to "Home Alone" and "Dennis the Menace". The cast does a good job portraying their characters and there are times you can feel the emotions they are going through. It's a wonderful remake and a very good film from Walt Disney Pictures. Highly Recommended.
Really good watch, might watch again, and can recommend.

Having recently watched the original, this movie does a rather nice job of following it beat for beat. Now, it's not the same movie, but it follows the same format, with modernization and punch-ups throughout the movie.

As someone who complains about deviation from the source material, I approve the changes here. Sadly, they kept the twins carrying the movie, which means Lindsay Lohan was doing double work, but you could hardly tell. The green screen and clone work in this is actually really well done for late 1990's.

The most important aspect is that the movie retained its charm in re-uniting a lost / separated family.

Directed by : Alan Silvestri, Alan Silvestri, Robert Zemeckis, Robert Zemeckis, Arthur Schmidt, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Lawrence G. Paull, Jane Feinberg

Produced by : Alan Silvestri, Alan Silvestri, Robert Zemeckis, Robert Zemeckis, Arthur Schmidt, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Lawrence G. Paull, Jane Feinberg

Starring : Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, Thomas F. Wilson, Claudia Wells, Marc McClure, Wendie Jo Sperber, George DiCenzo, Frances Lee McCain

Company : U-Drive Productions, Universal Pictures, Amblin Entertainment

Release date(s) : 1985-07-03

Running time :116 Minutes

Country  : United States

Language :English

Budget :  $19,000,000

Storyline : **Entertaining**

A man goes back in time to save his mother - or something like that anyway - I was too entertained to fully grasp what was going on. Seriously, this film moves so fast that you will find yourself having to try your hardest to keep up with it.

Great movie. Great soundtrack. Great performances. A shame that the sequels did not live up to this one.

- Ian Beale
Earth Angel And The Nuclear DeLorean.

It's 1984 and director Robert Zemeckis, fresh from the success of Romancing The Stone, is trying to film Back To the Future - a film about a young teenager called Marty McFly who is accidentally sent back in time to 1955 and inadvertently risks the future of his family. Zemeckis is troubled by his leading man, Eric Stoltz, who just isn't capturing the youthful teenager exuberance that he wants for Marty McFly. Stoltz is jettisoned and in comes Michael J. Fox who was busy wowing audiences in the hugely popular sit-com Family Ties. Fox had been first choice anyway but couldn't get a release slot from shooting with Family Ties. Luckily the wasted time with Stoltz created an opening for Fox to play Marty McFly as well as work on the show - the result of which would turn out to be one of the most beloved fantasy trilogies of the modern era.

It's honestly hard to find anyone who seriously doesn't like Back To The Future part one. The second one has its critics, because, lets face it, it's a bridge between two better films, while the third film loses some people because of its Western themed plot (the heathens that they are). Yet really this trilogy opener is as near perfect cinema for all the family as you could wish to view. It's a water tight script from Zemeckis and Bob Gale that not only encompasses witty time travel paradoxes, but also dares to be dramatic into the bargain. The first 15 minutes contains a real shocker that is as cheeky as it bold, something that really gives Marty's 1955 quest a real urgency that the audience can buy into as the comedy relief then comes in spades. The set pieces are first rate - hello skateboard - hello rock "n" roll 101, and the makers have fun in winking towards other notable sci-fi pictures along the way. Hell they even manage to deal in an Oedipal strand that is tasteful, handled superbly and garners guffaws aplenty. No mean feat that last one actually. Alan Silvestri provides a whirring & pleasing score and the theme song, The Power Of Love, by Huey Lewis & The News, is infectiously enjoyable. Finally it's the cast that seal the deal for why this is as good as it gets for fantasy escapist cinema. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson & Crispin Glover are the perfect quintet, each feeding off each other and doing justice to the excellently constructed story.

Made for $19 million, Back To The Future went on to make a worldwide gross of over $381 million, and those are the kind of figures you really can't argue with. It's snappy, happy and down right funny, so really, if you don't like Back To The Future then seek medical help immediately. 10/10
"Robert Zemeckis remains the beating heart of modern science-fiction films"

The first time I have ever redacted a critic was down in 2015, since then, I learned how impressive productions could change lives and start movements throughout the world. Back To The Future represents one of those films, such a powerful, inspirational, comical, heartwarming, and innovative one. Probably, McFly and Doc Brown proffer the best duo-interaction I have ever beheld in an 80s film (which, happily, could end up being top-notch of all time). There are almost no blunders to be found because the flick essentially represents an instant classic of cinematic history as if to say, pure perfection. From this moment on, you might be thinking about the reason of having assessed the film as absolute perfection score.

First and foremost, we discuss relating to breaking formulas and experiencing new paths, in other words, means opening new cinematic genres and improving them, that is to say, films which leave a significant legacy. Back To The Future follows the proper steps to provide that brand-new feature we were all hoping. Secondly, we balance the film's highest moments and ordinary moments with humour, some 50's nostalgia, some drama and (even) some action moments which results in a win-win the film provides a mixture of genres carefully well-managed and accurately-needed. Third, if the goal is the production of an instant classic, we will need to focus on the cast, because they are the ones who will perform during the whole film, they embody the heroes and villains; therefore, they become fundamental. Michael J. Fox and Christopher Lloyd are the film's core, as excellent as Vince Vaughn-Owen Wilson's 2005 Wedding Crashers, I daresay.

Finally, but not least, the soundtrack and the environment, in spite of ending up being complementary, provides not only a trusting reality but an opportunity to show the audience the plot's main incidents. During the display, we will notice the most recurrent spots are the 80's and 50's at school, at traditional coffee shops and the streets, not forgetting the excellent pop-culture references introduced.

The audience ought to congratulate Robert Zemeckis' mind and, also, the crucial support of his staff (one of whom was Steve Spielberg) owing to this masterpiece. The montage is proof that everyone who has an incredible imagination is capable of creating chef-d'oeuvres, delivering the audience such an extraordinary time. What is more exhilarating is the fact that then-president Ronald Reagan loved the film to the point that he used famous BTTF quotes, for example, during his 1986 State of Union Adress. What an achievement ladies and gentlemen!

(90/100)

Directed by : Clay A. Griffith, John Toll, Joe Hutshing, Ian Bryce, Robert Greenfield, Betsy Heimann, Cameron Crowe, Cameron Crowe, Cameron Crowe, Lisa Stewart

Produced by : Clay A. Griffith, John Toll, Joe Hutshing, Ian Bryce, Robert Greenfield, Betsy Heimann, Cameron Crowe, Cameron Crowe, Cameron Crowe, Lisa Stewart

Starring : Patrick Fugit, Billy Crudup, Kate Hudson, Frances McDormand, Jason Lee, Zooey Deschanel, Michael Angarano, Anna Paquin, Fairuza Balk, Noah Taylor

Company : Columbia Pictures, Vinyl Films, DreamWorks Pictures

Release date(s) : 2000-09-15

Running time :162 Minutes

Country  : United States

Language :English

Budget :  $60,000,000

Storyline : Hopes, Dreams & Nightmares.

Almost Famous is Cameron Crowe's paean to rock music, of bands and songs, of journalism and promotion, of sex & drugs. Drawing from experience and stories passed on, Crowe tells the tale of a young teenage boy aspiring to be a music journalist in the 1970s. Finding himself backstage with the rock group Stillwater, William Miller (Patrick Fugit) embarks on a road journey with the band that's awash with egos, groupies, perils and pleasures, all of which change his life forever.

Lets go find something real!

The most striking thing about it is that it's not overtly funny or sensationalistic, it's a production that's full of love, real love, for the subject matters to hand, and it's very often a moving experience to be part of. Narratively speaking, Crowe takes his time, steadily building characters and backdrop essentials, it works a treat as we become immersed in all the major players within the music circle, while also feeling the concerns of those on the outside of the rock group circle. Which of course gives us the great rewards come the final third of film when all matters come to a head. Crowe and his design team also work some magic for period flavours, capturing the early 70s vibe with awareness of clothing, food and drink and transport. Nothing ever seems false, which is remarkable in this era of product placements and shameless plugging.

50 bucks and a case of beer!

Another one of Crowe's strengths is how he garners great performances from his actors. There's no big stars here, no Tom or Renée, but Billy Crudup, Jason Lee, Kate Hudson and Fugit, who respond to their director with sincere and believable performances, no caricatures or ham sarnies here, no way. While outskirt performances from Frances McDormand (brilliant as William's fretful mother), Anna Paquin, Philip Seymour Hoffman (as the legendary Lester Bangs) and Fairuza Balk, consistently hit the hi-hat. The music of course rocks, from metal and progers, to folkers and bubblegum, to some punk godfathery, these sounds feature on the soundtrack and kick the decade into orbit - while the Stillwater scenes are effective and the use of Elton John's Tiny Dancer will land in your heart and stay there.

Cameron Crowe has created a smashingly memorable film that will stand the tests of time. Two cuts are available, where both the theatrical and director's cuts are sure fire things (the latter Bootleg Cut my personal favourite). This is a music based film to sit with the best of them, God Bless Rock N Roll and God Bless Cameron Crowe, for he could have easily embellished and over egged his rock pudding, instead he kept it real. 9/10

Directed by : Kerry Barden, Craig Alpert, Elizabeth Banks, Paul Brooks, Scott Niemeyer, Kami Asgar, Mike White, Paul Schnee, Daniel Silverberg, Christopher Lennertz

Produced by : Kerry Barden, Craig Alpert, Elizabeth Banks, Paul Brooks, Scott Niemeyer, Kami Asgar, Mike White, Paul Schnee, Daniel Silverberg, Christopher Lennertz

Starring : Anna Kendrick, Rebel Wilson, Brittany Snow, Hailee Steinfeld, Elizabeth Banks, Anna Camp, Alexis Knapp, Ruby Rose, Ester Dean, Hana Mae Lee

Company : Gold Circle Films, Perfect World Pictures, Universal Pictures

Release date(s) : 2017-12-20

Running time :93 Minutes

Country  : United States

Language :English

Budget :  $45,000,000

Storyline : First of all, I just went to watch this because I've seen the other two, which I kind of enjoyed, but I didn't have much expectation when I went to see this. And I was still disappointed. I felt like the plot was very weak and I was confused about what they were doing most of the time. There was plenty of singing and dancing, obviously, which was good for the most part. But it wasn't as good as the other films. Probably my biggest complaint would be about Fat Amy and her dad. Now, John Lithgow is a great actor in my opinion, but as an Australian, I was a big taken aback when he was cast as an Australian. His Aussie accent was hit and miss and after the movie all I was thinking was the possible Australian actors that could've been cast in his place. John Jarratt comes to mind (joke). Also, why do people keep casting Ruby Rose. No offence, but she just can't act. And she did an American accent in this so that was a bit weird as well. Overall, I wasn't expecting much from this movie and I got what I expected. I'm probably glad they're not making these movies anymore. I give it a low score for the lack of plot and it just felt like the same movie but worse.

Directed by : Debra Zane, Nancy Juvonen, Drew Barrymore, Simone Bär, Brian Tyler, Kym Barrett, Elizabeth Banks, Elizabeth Banks, Elizabeth Banks, Bill Pope

Produced by : Debra Zane, Nancy Juvonen, Drew Barrymore, Simone Bär, Brian Tyler, Kym Barrett, Elizabeth Banks, Elizabeth Banks, Elizabeth Banks, Bill Pope

Starring : Kristen Stewart, Naomi Scott, Ella Balinska, Elizabeth Banks, Patrick Stewart, Djimon Hounsou, Sam Claflin, Jonathan Tucker, Nat Faxon, Chris Pang

Company : Sony Pictures, Columbia Pictures, Brownstone Productions, 2.0 Entertainment

Release date(s) : 2019-11-14

Running time :118 Minutes

Country  : United States

Language :English

Budget :  $48,000,000

Storyline : 2019s ‘Charlie’s Angels’ is a fun watch with a great cast, especially a scene-stealing Kristen Stewart (she has a dance number and I need her in a ‘Step Up’ movie ASAP). I really hope this does well, as there is huge potential for sequels exploring all these new Angels. If you like pure joy, I highly recommend checking it out on the big screen.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-charlies-angels-a-new-generation-of-angels-another-barrel-of-fun
A pointless reboot for the Woke generation. I wouldn't mind quite so much if the director focused more on a believable storyline than a Twitter-pleasing one instead.

Banal to the extreme, a complete waste of time and money: these contemporary iP reboots simply are not working, especially when the political dogma is more or less forced down one's throats for the sake of a good story,
what a junk, is all i can say
I really did want to like it.

So many of these girl-power-team-up action films that we've gotten in the past decade feel so hollow. Don't get me wrong, I know there is a huge sect of assholes that were absolutely unwilling to ever give this movie a chance, and had pre-ordained that it would be terrible and they hate it before a single frame was shot, and that almost every single dude in that sect made that decision specifically because of the fact that it's a movie with women in the forefront, and it is good and right to target those dudes with your derision. But having actually watched it... Yeah it's feminism with a teeny splash of gay but like... It's a very **corporate** feminism and a very **under-the-rug-able** gay. Which isn't good, but could have been fine, except that it was the only thing that I was looking forward to, and also seems to be what makes _Charlie's Angels_ think it has done enough. But it's so boardroom driven and paper-thin, which I could hack if the actual plot was any good or any number of other things that you normally look to a movie for, but by and large those aspects aren't just hollow, they're straight-up bad.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._