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Directed by : Jerry Bruckheimer, Francine Maisler, Don Simpson, Michael Bay, John Vallone, Christian Wagner, Virginia Cook-McGowan, Rhona Meyers, David M. O'Dell, Mark Mancina

Produced by : Jerry Bruckheimer, Francine Maisler, Don Simpson, Michael Bay, John Vallone, Christian Wagner, Virginia Cook-McGowan, Rhona Meyers, David M. O'Dell, Mark Mancina

Starring : Will Smith, Martin Lawrence, Téa Leoni, Tchéky Karyo, Joe Pantoliano, Marg Helgenberger, Michael Imperioli, Theresa Randle, Anna Levine, Nestor Serrano

Company : Columbia Pictures, Don Simpson/Jerry Bruckheimer Films, Sony Pictures

Release date(s) : 1995-04-07

Running time :118 Minutes

Country  : United States

Language :English

Budget :  $19,000,000

Storyline : Fans of a pre-_Terminator_ Bay are gonna love it, and I can see where it succeeds, but personally _Bad Boys_ makes me kinda uncomfortable.

_Final rating:★★½ - Not quite for me, but I definitely get the appeal._

Directed by : Beth Sepko, Mary Vernieu, Ronald R. Reiss, Theodore Shapiro, William Ladd Skinner, Tim Suhrstedt, Mike Judge, Mike Judge, Mike Judge, Mike Judge

Produced by : Beth Sepko, Mary Vernieu, Ronald R. Reiss, Theodore Shapiro, William Ladd Skinner, Tim Suhrstedt, Mike Judge, Mike Judge, Mike Judge, Mike Judge

Starring : Luke Wilson, Maya Rudolph, Dax Shepard, Terry Crews, Anthony 'Citric' Campos, David Herman, Sonny Castillo, Kevin McAfee, Robert Musgrave, Michael McCafferty

Company : 20th Century Fox, Ternion Pictures

Release date(s) : 2006-09-01

Running time :84 Minutes

Country  : United States

Language :English

Budget :  $30,000,000

Storyline :

Directed by : Mick Audsley, Charles Dickens, Kevin Loader, Sarah Crowe, Suzie Harman, Armando Iannucci, Armando Iannucci, Armando Iannucci, Simon Blackwell, Celia Duval

Produced by : Mick Audsley, Charles Dickens, Kevin Loader, Sarah Crowe, Suzie Harman, Armando Iannucci, Armando Iannucci, Armando Iannucci, Simon Blackwell, Celia Duval

Starring : Dev Patel, Peter Capaldi, Ben Whishaw, Tilda Swinton, Gwendoline Christie, Hugh Laurie, Anthony Welsh, Aneurin Barnard, Divian Ladwa, Rosalind Eleazar

Company : FilmNation Entertainment, Film4 Productions, Searchlight Pictures

Release date(s) : 2019-11-07

Running time :119 Minutes

Country  : United States

Language :English

Budget :  $15,600,000

Storyline : If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Based on Charles Dickens' novel, The Personal History of David Copperfield is the first Armando Ianucci's film I ever watched. I didn't really know much about this movie besides its stellar cast. I'm not the biggest fan of biographical works. Usually, I find them too constricted to the genre's formulas, and if I don't think the protagonist's life is remotely entertaining, then the whole film crumbles. Fortunately, it's not the case of this Ianucci's adaptation. It's one of the most pleasant surprises of the year, I finished it with a massive smile on my face.

David Copperfield's life is portrayed in such a captivating, entertaining, genuine, heartfelt manner, but always maintaining this sort of lightness. There's always something positive coming out of even the worst of situations. Actually, I think that's the best message transmitted to the viewer: it doesn't matter how horrible your life might be at a particular moment, it will only get better if you don't give up, and if you surround yourself with true friends and family. Throughout the runtime, David shares his life with different families and friends, working and living in the poorest and wealthiest places.

His lifestyle changes drastically after each new significant development in his journey to become a writer, and it's such a joy to watch him grow up. From working like a slave in a factory and being homeless to living in a boathouse and eventually in a mansion like a true gentleman, David goes through all of the obstacles life throws at him, learning from them to become a better person. A really nice touch is the distinct names that people call him throughout his life, depending on where he lives/works and who's he talking to: Davy, Doady, Daisy, Trotwood… These might be merely different nicknames for David, but they mean much more. They're a tiny yet efficient detail that remarkably distinguishes his unique lifestyles.

Ianucci and Simon Blackwell do a terrific job with the screenplay, by offering Dev Patel an exceptional platform to shine. The whole cast delivers outstanding performances that elevate the movie in an invaluable way. Patel is an excellent protagonist, and I don't want to diminish his extraordinary display, but he's only as great as his counterparts. Tilda Swinton (Betsey Trotwood) and Hugh Laurie (Mr Dick) form a hilarious couple, deeply important to help David rise from the ground. Peter Capaldi brilliantly portrays Mr Micawber, a family man with immense debts, who teaches young David (impressively represented by Jairaj Varsani) how London works by escaping his creditors.

Darren Boyd and Gwendoline Christie use their physical attributes to interpret the evil Murdstone brothers, who employ extreme, violent measures to educate David. Everyone involved in bringing the Peggotty family to life is as essential as the family's importance to the protagonist. Benedict Wong (Mr Wickfield) shows his funny side once again, as Morfydd Clark is charming enough as Dora Spenlow and Clara Copperfield. Aneurin Barnard (James Steerforth) becomes David's best friend, but his final arc doesn't quite fit the film, in my opinion, prolonging the latter for a few unnecessary extra minutes.

So, as you might have figured, every cast member has a vital role to play in some shape or form. All are incredibly fun to watch, making this two-hour flick flow tremendously well. Technically, the production and costume design are award-worthy. The XIX century streets, houses, and clothes are really immersive, creating a realistic environment, elevated even more by the subtle yet powerful score (Christopher Willis). Seamless editing (Mick Audsley, Peter Lambert) and impeccable cinematography (Zac Nicholson) also help the movie's pacing and even contribute for a few transition jokes.

All in all, The Personal History of David Copperfield is one of the most entertaining biographical works I've ever seen, as well as one of the most pleasant surprises of 2020. It's one of those films that leaves you with a huge smile, from ear to ear. As the viewer, watching David Copperfield's journey to becoming a writer is so captivating and fun, not only due to the humorous screenplay, but mainly because it's such an honest, emotional, genuine story. Only a few minutes in, and I already wanted him to succeed in life. My emotional attachment to the protagonist was so strong that I couldn't help myself drop a couple of tears by the end. I don't have enough words to describe how wonderful every cast member is and how important each role has in David's life. Dev Patel is an impressive lead, but his performance is elevated by the work of his counterparts. It's technically flawless, but the story and its characters make this movie an absolute delight to watch.

Definitely, one of the best films of the year, so don't you dare miss it!

Rating: A-
This has really been a banner year for the period film. We've had Gerwig's spectacular 'Little Women', Autumn de Wilde's wondrous adaptation of 'Emma.', and on television, the bombastic imagination of 'The Great'. Armando Iannucci's 'The Personal History of David Copperfield', even with its flaws, sits beautifully beside them. This film left me giddy with joy, my eyes filled with tears, leaping from my seat with every rapturous surprise and unexpected burst of imagination. It brims over with humanity, humour and heart, and reminds us of the importance of these things for a rich and satisfying life. This is an absolute gem of a film, and one of my favourite of this year so far.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-personal-history-of-david-copperfield-a-rhapsodic-delight-on-taking-ownership-of-our-own-stories

Directed by : McG, McG, Shane Hurlbut, Douglas Pipes, Rich Delia, Mary Viola, Peter Gvozdas, Zack Schiller, Brian Duffield, Kristen Vallow

Produced by : McG, McG, Shane Hurlbut, Douglas Pipes, Rich Delia, Mary Viola, Peter Gvozdas, Zack Schiller, Brian Duffield, Kristen Vallow

Starring : Samara Weaving, Bella Thorne, Andrew Bachelor, Judah Lewis, Robbie Amell, Hana Mae Lee, Emily Alyn Lind, Leslie Bibb, Ken Marino, Doug Haley

Company : Wonderland Sound and Vision, Boies/Schiller Film Group, New Line Cinema

Release date(s) : 2017-10-13

Running time :85 Minutes

Country  : United States

Language :English

Budget : 

Storyline : I may take issue with Samara Weaving, but a fun movie's a fun movie. End of story. I was surprised by how much I enjoyed Robbie Amell in this, who in the past has always disappointed me. Those small praises aside, _The Babysitter_ is not exactly groundbreaking cinema, and while I certainly enjoyed having it on in the background to a certain degree, I didn't get enough from it to say it's outright worth your time.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The Babysitter is a fun, over-the-top horror/comedy, which will have very polarizing opinions, depending on the viewer.

I'm quite sure The Babysitter has some deep flaws. There are certainly some issues with the logic, probably anyway. Maybe the characters are a little one-note. The thing is, I was having way too much fun to care.

From the comic-book text overlays to the major twists and turns to the child-engineering-prodigy trope to the humor-gore, I really, thoroughly enjoyed this movie.

The tone started off as a comedy/coming-of-age story, but when it decided to delve into horror, it really delved into horror. It kept some of the comedic and coming-of-age elements, but from the first instance of horror on, it was without a doubt a horror movie, just a dang fun one.

I'd imagine this is a rather polarizing film. Either people will love some of the wackiness, or they'll feel it gets in the way of what The Babysitter could be. From some people, there will be eye-rolling and snickering, and from others, there will be belly laughs and big smiles.

I highly recommend checking it out, but don't go in expecting a serious movie, or you'll be rather disappointed.

Directed by : Linda Cohen, Anastas N. Michos, Michele Weisler, Joey King, Patrick Kirst, Jay Arnold, Vince Marcello, Vince Marcello, Vince Marcello, Iñigo Navarro

Produced by : Linda Cohen, Anastas N. Michos, Michele Weisler, Joey King, Patrick Kirst, Jay Arnold, Vince Marcello, Vince Marcello, Vince Marcello, Iñigo Navarro

Starring : Joey King, Jacob Elordi, Joel Courtney, Molly Ringwald, Taylor Zakhar Perez, Maisie Richardson-Sellers, Meganne Young, Stephen Jennings, Carson White, Bianca Bosch

Company : Komixx Entertainment

Release date(s) : 2020-07-24

Running time :132 Minutes

Country  : United States

Language :English

Budget : 

Storyline : This was more annoying than enjoyable. I don’t understand how these kids are being accepted into the top schools in America. They don’t appear to take school seriously whatsoever. Maybe they all pay someone to take the SAT? That’s the only thing that makes sense. Everything is about partying, lifting weights, playing video games and having sex. Meanwhile, they all live in gigantic mansions. I want a Kissing Booth 3 where everybody is sheltering in place, wearing masks, social distancing and becoming suicidal. I want every other scene taking place in a cemetery. Then if there is a Kissing Booth 4, it can be in post-Trump America, where anybody who survives the pandemic stops being a narcissistic sociopath.

Directed by : Kevin Smith, Kevin Smith, Kevin Smith, Jason Mewes, Jennifer Schwalbach Smith, Michael Barton, Chris Parkinson, James Laxton, Shannon McIntosh, Sam Englebardt

Produced by : Kevin Smith, Kevin Smith, Kevin Smith, Jason Mewes, Jennifer Schwalbach Smith, Michael Barton, Chris Parkinson, James Laxton, Shannon McIntosh, Sam Englebardt

Starring : Michael Parks, Justin Long, Haley Joel Osment, Génesis Rodríguez, Ralph Garman, Johnny Depp, Harley Quinn Smith, Lily-Rose Depp, Jennifer Schwalbach Smith, Harley Morenstein

Company : Phase 4 Films, Demarest Films, SModcast Pictures

Release date(s) : 2014-09-19

Running time :102 Minutes

Country  : United States

Language :English

Budget :  $2,800,000

Storyline :

Directed by : Jennifer Lee, Jessica Kelly, Todd Antonio Somodevilla, Ian Hultquist, Karen Maine, Karen Maine, Brittany Loar, Rebecca Dealy, Katie Cordeal, Colleen Hammond

Produced by : Jennifer Lee, Jessica Kelly, Todd Antonio Somodevilla, Ian Hultquist, Karen Maine, Karen Maine, Brittany Loar, Rebecca Dealy, Katie Cordeal, Colleen Hammond

Starring : Natalia Dyer, Alisha Boe, Francesca Reale, Timothy Simons, Donna Lynne Champlin, Wolfgang Novogratz, Parker Wierling, Susan Blackwell, Allison Shrum, Tre'len Johnston

Company :

Release date(s) : 2019-03-08

Running time :78 Minutes

Country  : United States

Language :English

Budget : 

Storyline :

Directed by : Joel Silver, Shane Black, Shane Black, Philippe Rousselot, Sala Baker, Sala Baker, Sarah Halley Finn, Richard Bridgland, Kym Barrett, John Ottman

Produced by : Joel Silver, Shane Black, Shane Black, Philippe Rousselot, Sala Baker, Sala Baker, Sarah Halley Finn, Richard Bridgland, Kym Barrett, John Ottman

Starring : Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer, Margaret Qualley, Yaya DaCosta, Keith David, Kim Basinger, Beau Knapp, Lois Smith

Company : Silver Pictures, Waypoint Entertainment, Bloom, Nice Guys, Misty Mountains, Warner Bros. Pictures

Release date(s) : 2016-05-15

Running time :116 Minutes

Country  : United States

Language :English

Budget :  $50,000,000

Storyline : > An unexpected and thoroughly entertained retro comedy!

It all began from this year's Oscars, I saw this pair for the first time and I knew its their film promotion strategy. So I went to look for the full details and I thought I'll end up as another silly comedy like 'Daddy's Home'. That's why I did not bother to check it out its teaser and trailer, but now I feel terrible for my crappy judgement. Because this was an awesome movie, definitely not just in the comedy category, but overall one of the best films of the year and it should be in everybody's top ten or twenty and nothing less.

It is a retro type film that takes place in the late 70s, LA. Where two private investigators unlikely come together to probe a mysteriously reappeared porn star from the dead as what her aunt says. But later that connects with another high profile missing girl case and so with all the leads, these two goes the length risking their lives to solve it. The remaining story reveals whether they succeed or end up as the losers.

It was from the director of 'Iron Man 3' who wrote it keeping in mind as a television series, but later turned into this beautiful comedy. The first thing is I loved the Ryan and Russell's performances. They totally nailed it, especially Ryan Gosling in many comedy scenes. I think I laughed a lot and better after a long time. That's a surprise, you know, I did not think they can do comedies, but they're beyond all the praising words.

It's not just two of them, there is a mini 'Nancy Drew Reporter' kind of character. A teen girl joins them in the investigation and her part as well had a great impact on the narration. You would think you can predict the story, but it is a well written screenplay with many twists. Everybody did their job so well, even the two hours did not look too long, but went very quick. The cast, crew, production, all must return for a sequel and I hope it will happen very soon. A must see film, but for the grown ups only.

8/10
I've never been a Ryan Gosling fan. No movie ever before has come as close to turning me around in that than _The Nice Guys_.

Director Shane Black is in top form with broad appeal, terrific performances, and honestly more humour than anything I've seen in years.

_Final rating:★★★½ - I strongly recommend you make the time._
Waltons, Poronography, Tricky Dicky, Hitler, Equanimity, Bumble Bees ... And Stuff!

The Nice Guys is directed by Shane Black and Black co-writes the screenplay with Anthony Bagarozzi. It stars Russell Crowe, Ryan Gosling and Angourie Rice. Music is by John Ottman and David Buckley and cinematography by Philippe Rousselot.

1977 Los Angeles and a private detective and a muscle for hire enforcer wind up on the same case looking for a missing girl. Can opposites really attract? More importantly, can they survive not just the perils of a case that gets murkier the longer it goes on? But also each other?

I don't care if Colonel Mustard did it in the study with a candlestick. I just wanna know who he did it with and get the pictures.

How wonderful to have had Shane Black back in his comfort zone and producing such a joyful buddy buddy neo-noir of considerable substance. It was eleven years since the superb Kiss Kiss Bang Bang had reminded us that Black had few peers when it came to blending high action macho twosomes who are also armed with sharp tongues to match, this was after all the guy who also penned Lethal Weapon and The Last Boy Scout. The idea for The Nice Guys had sat in gestation for a number of years, finally it was unleashed to reward fans of his work and for those in sync with the style of film making he homages.

Much like his other buddy scriptings, we are in the company of two mismatched guys. Gosling's ex-cop Holland March is a bit goofy, afraid of the sight of blood and morally bankrupt. Crowe's muscle for hire Jackson Healy beats people up for money, but he's a stand-up guy, likes his pet fish, even has a hero streak. What binds them together is troubled family baggage, that they are both men in search of a better world, to be better men themselves, and thus Black - to give them a chance of life improvement - pitches them into the seamy underbelly of the L.A. pornography industry - with some corruption elsewhere thrown into the equation.

As a coupling March and Healy prove to be a riot. Crowe is menacing and funny with it, Gosling is affably flaky but charm personified, and thankfully both men have a knack for visual comedy (see Gosling's Lou Costello homage and Crowe's reaction to a henchman's act of fish murder). Crucially both actors can deliver killer lines, which is an absolute must for a Shane Black inspired production, for here there is never any let up, zingers are unbound. Then there is Rice (superb and actually the third lead in the play) as March's 13 year old daughter, she's got youthful zest and a killer matter of fact skill in reacting smartly to the two men currently dominating her life.

The L.A. of the 70s is expertly designed, all blink blink blinkity blink neon lighting, side-burns and disco music, dubious fashions and protest groups protesting about the most mundane of things. Then you got the pornography angle, the 70s a hot-bed (no pun intended) for the sex sells profiteers, the perfect setting for Black to trawl through it all in noir clobber. As a noir piece it has it all, femme fatales, thugs, conspiracies, voice overs and an array of colourfully odd characters (excitable and troubling henchmen, a porno Pinocchio, a young lad willing to flash the contents of his underpants for cash!). And of course there's mysteries to be solved and rocks to be upturned, all of which is played out in a whirl of stylish violence, situational comedy and fluid camera work.

Black kind of wants it all, to stay cool whilst having wry observations on the Americana of the era, and he enjoys going close to the knuckle when he can, which to some (not me) will come off as a shock value humour tactic just to ruffle feathers. It's also a minor itch that he sort of snatches from his previous works in search of reassurance - note for instance the similarities between the opening to Lethal Weapon and here with The Nice Guys. But itches be damned, so much fun and hidden dramatic depth on show here, a real treasure that makes you wish Black would stroll down neo-noir lane a bit more often. Don't believe me? Then may Richard Nixon come after you the next time you go for a swim in the pool! 9/10

Directed by : Denise Di Novi, Steve Carell, Mindy Marin, Charles Croughwell, Andrew Dunn, Lee Haxall, Dan Fogelman, Ron Bartlett, David Siegel, David Siegel

Produced by : Denise Di Novi, Steve Carell, Mindy Marin, Charles Croughwell, Andrew Dunn, Lee Haxall, Dan Fogelman, Ron Bartlett, David Siegel, David Siegel

Starring : Steve Carell, Julianne Moore, Emma Stone, Ryan Gosling, Marisa Tomei, Kevin Bacon, Analeigh Tipton, Jonah Bobo, Joey King, Beth Littleford

Company : Warner Bros. Pictures

Release date(s) : 2011-07-29

Running time :118 Minutes

Country  : United States

Language :English

Budget :  $50,000,000

Storyline : Really good comedy, following the typical situations but with fresh unexpected turns.

Directed by : John Morris, Lynn Stalmaster, Harold Michelson, Bill Shepard, Gary Rydstrom, Terence Marsh, Conrad Buff IV, David Rubin, Mel Brooks, Mel Brooks

Produced by : John Morris, Lynn Stalmaster, Harold Michelson, Bill Shepard, Gary Rydstrom, Terence Marsh, Conrad Buff IV, David Rubin, Mel Brooks, Mel Brooks

Starring : Mel Brooks, Rick Moranis, Bill Pullman, Daphne Zuniga, John Candy, George Wyner, Joan Rivers, Dick Van Patten, Michael Winslow, Lorene Yarnell Jansson

Company : Brooksfilms Ltd., Metro-Goldwyn-Mayer

Release date(s) : 1987-06-24

Running time :96 Minutes

Country  : United States

Language :English

Budget :  $22,700,000

Storyline : ***Silly satire based on Star Wars***

Released in 1987, Mel Brooks’ “Spaceballs” parodies the Star Wars flicks and includes jokes based on Star Trek, “Lawrence of Arabia,” “Alien” and “Planet of the Apes.”

Some people hate this film, but it works for what it is: a totally goofy spoof. It’s consistently amusing with several laugh-out-loud bits and memorable lines.

The cast is notable, highlighted by John Candy as Barf, Daphne Zuniga as Princess Vespa, Rick Moranis as Dark Helmet, Brooks as Yogurt, and Joan Rivers’ voice as Dot Matrix. The rest are good too (Bill Pullman as Lone Starr, George Wyner as Colonel Sandurz, etc.).

The film runs 1 hour, 36 minutes.

GRADE: B

Directed by : Lisa Beach, Sarah Katzman, Jeff Gourson, Stuart H. Pappé, Steven Bernstein, Marlon Wayans, Marlon Wayans, Teddy Castellucci, Gary Paller, Paul Peters

Produced by : Lisa Beach, Sarah Katzman, Jeff Gourson, Stuart H. Pappé, Steven Bernstein, Marlon Wayans, Marlon Wayans, Teddy Castellucci, Gary Paller, Paul Peters

Starring : Shawn Wayans, Marlon Wayans, Busy Philipps, Jessica Cauffiel, Jennifer Carpenter, Frankie Faison, John Heard, Jaime King, Brittany Daniel, Lochlyn Munro

Company : Columbia Pictures, Revolution Studios, Wayans Bros. Entertainment, Gone North Productions

Release date(s) : 2004-06-23

Running time :109 Minutes

Country  : United States

Language :English

Budget :  $37,000,000

Storyline : **The two shades of white!**

I've heard this film a long ago, but I never interested to watch it. We can't avoid them, because when we look for a particular type of film for the occasion, they will pop-up and that is how I watched this now. I know it is a silly comedy, because in a real world this thing never happen. So knowing this is only for cinema, I prepared to enjoy whatever it offers. But I must say, even though my rating is not big, I kind of enjoyed it.

Nobody watches this without knowing its synopsis. So you will already know the fifty per cent of the story when you do. The rest is how it is developed; including how good the jokes are that comes with our watch. So much cliché, but entertaining with some good scenes and lines. The actors were excellent. The make-ups were not flawless, but worked okay, especially for a comedy. Because if there is an error, it will going to appeals from the comedic side.

So the overall film was better than what I presumed all these years. Glad I saw it, it's nothing like those silly comedies I've seen. I've seen many imposter themes, but this is refreshing. All the above, this is a one off film, that's the best thing about it. You know, sequels are what degrades the original film in most of the scenarios. Thanks for that, there's no follow-up for this with a B movie cast and crew. This is a very much watchable film, not comedy riot, but fairly does its job.

_6/10_

Directed by : John Lasseter, Peter DeSève, Michael Giacchino, Stephen M. Davis, Daniel Laurie, Lynn Sable, Joel Iwataki, Tim Simonec, Fabienne Rawley, Scott Curtis

Produced by : John Lasseter, Peter DeSève, Michael Giacchino, Stephen M. Davis, Daniel Laurie, Lynn Sable, Joel Iwataki, Tim Simonec, Fabienne Rawley, Scott Curtis

Starring : Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence, Bonnie Hunt, Don Lake, Tommy Chong, J.K. Simmons, Octavia Spencer

Company : Walt Disney Animation Studios, Walt Disney Pictures

Release date(s) : 2016-02-11

Running time :109 Minutes

Country  : United States

Language :English

Budget :  $150,000,000

Storyline : One of the best movies Disney has created in the last years. Smart plot with a great background topic talking about the differences, stereotypes, prejudices and joining the tendency of giving women more important roles.

It has still several gaps to fill and enhance on the latest point but it is, IMHO, a milestone in the right direction.

The characters work pretty well and it is funny when needed and not too full of cheesy songs.
> Try everything (but differently). So Disney has done it again.

This beautiful animation came to exist because of coming together of the directors of 'Tangled' and 'Wreck-it-Ralp'. It is Disney who had once again done it, since their rival Pixer is going down in a rapid speed. As a Disney fan since my childhood, I'm very happy for their success in live-shot films and animations, especially for this one.

Okay, since the revolution of 3D animation over 20 years ago after overthrowing the 2D animation, most of the big productions like Disney, Pixer and Dreamworks with few others never failed to deliver. Believe me, I was not interested in this film when I first saw the teaser and trailer. But they have done great promotions and so the film did awesomely at screens worldwide. I was totally blown away after seeing it, Disney's another unique universal charactered story. From the little children to the grown ups, everybody definitely going to enjoy it.

All kinds of animals coming together happens only in cinemas, and that too mostly in animations. But todays kids are very sharp who ask lots of questions, so they had a fine explanation for the doubts regarding putting animals in a same society. It was like the United States, where everyone came from different continents and represents different race. And so in this film every animal came from different land to live together peacefully in a city called Zootopia.

So the story begins when Judy the rabbit follows her dream to become a police officer in Zootopia. There she meets Nick the fox, who are actually arch-rival species in the wild, but it was thousands of years ago before adapting the civilisation. So trust is what not promised between them, but they're forced to work together after a small missing person case becomes their prime agenda. Solving the mystery is what brings the end to this wonderful tale.

These days animations are not just concentrated on comedies, trying to get us emotionally as well. Maybe that's how they're grabbing the adult audience, especially the families. Shakira's cameo was the highlight, and her song 'Try Everything' helped the get attention from all the corners.

The Oscars was concluded just a couple of months ago, but it already feels like the fever is gripping again for the next edition and looks like this film is leading the way for the animation category. I know it's too early, but I hope it wins it. And finally a request for the Disney, bring it on a sequel as soon as possible.

8/10
Zootopia is the latest family animation movie from Disney about a young bunny determined to be a cop at all costs – in a land where only 'predators' are cops, she would be the first ‘prey’ cop. Seriously? Anyway, she puts on the hard work and makes it to the land where anything is possible.

Zootopia makes some good real life comparisons: Zootopia itself seems to look like New York, even including a hustle by a sly fox. Racism seems to be ever present in both color and speech. But the best thing about Zootopia is Judy’s positive attitude and relentless determination to succeed.

The animation is as good as a Pixar animation – perfectly made – and the story is well told, full of action scenes and funny moments. Kids will definitely love this one and grown up kids will enjoy the deep thought provoking tones set in this movie.

The best performance in this movie arguably comes from Police Chief Bogo whose voice is played by Idris Elba. His performance should earn him an Oscar this year! No wonder it has grossed 1 Billion dollars worldwide despite little marketing.

Rated 9 out of 10 only because we cannot give it a 10.
A great movie with a great message. Read my full review here.

http://www.hweird1reviews.com/allreviews/zootopia-review
_Zootopia_ leans pretty hard on a few tropes that I absolutely detest, but even I can't deny that this animated family movie succeeds spectacularly at what it set out to do: Entertain all audiences, young & old, and deliver an important moral centre without detracting from its engaging plot. Something rarely achieved by the medium outside of Pixar. And even Pixar has had a few missteps the past years.

_Final rating:★★★½ - I strongly recommend you make the time._
This is a really, really good animated family movie. It is a perfect blend of funny characters, decent story and little jokes spread around in the animation.

Almost all characters are very likable and funny, each in a different way. The actual story has quite a bit of suspense (for an animated family film) while still being sufficiently light and funny. Actually it is kind of two stories. One is the story of Judy Hopps fighting to prove herself as a police officer and the other is the more sinister evil plot that she attempts to unravel.

The movie moves at a good enough speed leaving enough room to both tell the story itself and inserting jokes and comical situations. The two bureaucratic sloths were quite fun already in their first scenes but the last scene with them at the very end of the movie was absolutely hilarious.

The animation itself was certainly adequate although I sometimes miss the old hand drawn animations from Walt Disney.

Overall, one of the better, if not the best, animated movie I have watched in quite a while.
This film is named 'Zootopia' in the US but the title was changed when it was shown in the UK. I thought it is a very good children's film. Very well animated. Colourful. Really cute animals.

It is a great parable about tolerance and racism which could be seen as a mirror to the xenophobia in society today. The story is of a rabbit called Judy Hopps who overcomes diversity to become a police officer in the city of Zootropolis (Zootopia). This is a very tough city full of crime and only strong predators take charge. Judy must help to solve the case of predators disappearing around the city but needs to fight her colleagues' prejudices at the same time.

The jokes are funny and the story is intriguing. The film contains lots of references to other films which will keep viewers of all ages happy (including a very funny Breaking Bad spoof).
The voice acting is very good and each actor perfectly adds to their character.

★★★★
Zootopia is an allegorical tale which subtly takes on vast topics like racism, politics and society. It explores these underlying philosophical themes in a rather humorous manner! Everything, right from the characters to the storyline, is just top notch!

It’s similar to George Orwell’s Animal Farm, just the underlying issues are different in this one. It’s definitely worth watching!

Overall, Zootopia is a brilliant movie! I would give it a rating of** 4/5**
Why I find Zootopia revolutionary
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1. The creative design of the titular city, and the astonishing world building.

2. Using colors and deliberately simple animation not just to make the movie appeal to children, but also to indicate the so-called ideal city of Zootopia where every animal is pure and innocent.

3. Blending more than one genre into a single animated film while keeping the plot spotless and not messy.

4. Delivering many contemporary messages and tackling some quite touchy timely themes that have never been explored in an animated film before. And by giving the priority to the center message, that of prejudice, nothing felt muddled and all over the place, since no message overshadowed the other.

5. Using the on-the-surface message (achieve one's ambition) as a characteristic of the main character (Judy Hopps), not as the actual main message. That makes this message works as a motive not as a major theme in the movie as in, for instance, Wreck-It Ralph (I LOVE it, though ♥).

6. Avoiding being over-sentimental, although Nick's character could have been easily used to manipulate our feelings.

This movie is an absolute masterpiece. Not only because its wonderful way that gives its many messages in, but also because the importance of its messages in themselves, and how smart and relevant they are. Today, children really need to be taught these morals.

The talented cast's voices fit their characters perfectly. It has a plenty of funny scenes littered with extremely hilarious jokes which we haven't heard before in any animated movie, or even in a live-action movie. This movie blends so many genres: Comedy, Adventure, Action, Crime, and Mystery. That said, you will never feel confused while watching it.

The characters are definitely some of the most complicated characters I've ever seen in an animated movie. Each character has its own point of view due to the experiences they had, and thus makes each character has different motives and feelings.

(10/10)

Directed by : Ronna Kress, Sala Baker, Lauren Shuler Donner, Stan Lee, Rhett Reese, Rhett Reese, Sean Haworth, Simon Kinberg, Angus Strathie, Bill Corso

Produced by : Ronna Kress, Sala Baker, Lauren Shuler Donner, Stan Lee, Rhett Reese, Rhett Reese, Sean Haworth, Simon Kinberg, Angus Strathie, Bill Corso

Starring : Stan Lee, Ryan Reynolds, Morena Baccarin, T. J. Miller, Brianna Hildebrand, Gina Carano, Ed Skrein, Stefan Kapičić, Karan Soni, Michael Benyaer

Company : Marvel Entertainment, TSG Entertainment, 20th Century Fox, Genre Films, The Donners' Company

Release date(s) : 2016-02-09

Running time :108 Minutes

Country  : United States

Language :English

Budget :  $58,000,000

Storyline : A funny movie with a romantic love story.

Wade Wilson (Ryan Reynolds) is a former Special Forces operative who now works as a mercenary. His world comes crashing down when evil scientist Ajax (Ed Skrein) tortures, disfigures and transforms him into Deadpool.

The rogue experiment leaves Deadpool with accelerated healing powers and a twisted sense of humor. With help from mutant allies Colossus and Negasonic Teenage Warhead (Brianna Hildebrand), Deadpool uses his new skills to hunt down the man who nearly destroyed his life.
I actually enjoyed the movie so much that i'll recommend it to all my friends, at first i didn't really want to watch it because i'm not into super hero movies at all, but i did anyway, i mean people were talking so much about it i had to see it myself and what an awesome choice i made. The good thing about this movie is that Deadpool is a hero but in a very comedic way, you don't usually expect comedy from a superhero film but this one was full of comedy and the way they treated the plot was amazing, it was there, humor was there in every scene, even when there was fighting or romance or any other scene, the writers managed to add comedy everywhere in a very good way that'll surprisingly make you want to watch it again, and again. Thank you for taking the time read my review and if you're asking yourself if you should watch this movie, it's a definite Yes.
> So this guy in the red suit came and broke some records...

I was not a Deadpool fan and I'm still not, but like any superhero films I'd pleasure watching it. The other reason was, we had other superheroes in our time, so this guy is kind of new to me. It was a stunning launch to the big screen for the Deadpool as well as for this new director. This film was merely an introduction tale than a fully stretched story. Like how a human becomes a mutant and later who seeks a revenge for ruining his natural life. But it yet to explain a couple of things and I hope it all will be revealed in its sequel.

I am happy for Ryan Reynolds to get another chance, because his previous comic book character did not received well. I certainly liked the film, but nowadays there are plenty of superheroes to choose, in that, Deadpool's not in my top 5. So I am happy he joined the 'X-Men', because I never liked the boring 'X-Men' films or its characters, but I do love its spinoff 'Wolverine'. I'll definitely look forward for his solo films like 'Wolverine'.

This film broke a few records like the best box office so far for an 'X-Men' installment. A short film with the present and flashback narration shared the screen piece by piece alternatively. This was a strong R rated film so far I have seen in a superhero theme and there were plenty of other films referred. No offense to the people who liked it (and those who are going watch will do the same), but in my personal opinion it was a bit over-celebrated.

6½/10
Though I have always been a DC enthusiast, I was intrigued by the idea of the Deadpool movie, and knew I'd end up watching it (I probably see 70% of DC films that are released and maybe 20% of Marvel ones). I enjoyed its definitely postmodern approach--and wish Reynolds' Green Lantern movie had one-tenth the humour and charm that THIS film had.

It'll be very interesting to see how comic-book movies are affected, both short- and long-term by its massive success.
This film was very funny. Ryan Reynolds was made for this role. The innuendos did get a bit much though.

It was well written and the direction was very good but it did go into a territory that it was trying to make fun of. I got bored of all the action hero conventions after a while.

★★★½
As a comic book fan, I was fairly dubious about Deadpool’s cinematic outing. I wasn't altogether sure that a film that would obviously have to be fun, self-referential and self-aware could also be able to talk about a character who not only becomes seriously ill, but also struggles to keep a grip on his sanity well enough to do the character justice.

When I watched the film, it was clear that I had been over-thinking. Perhaps the makers of the film had thought the same as me. Perhaps they thought that trying to be lighthearted and slightly dark at the same time would be like trying to keep too many balls in the air. I say that because the issue of Deadpool’s sanity, or lack thereof, is only touched upon. If that is the case, I think it is quite a clever decision in a ‘let's not try to run before we can walk’ kind of a way. If not, Tim Miller has still given us a very enjoyable film, in which, Ryan Reynolds shines as an extremely good comedic actor.
After what I honestly think is the best promotional & viral marketing campaign a film has had, probably ever, the Deadpool feature film is finally here! And it's... Alright.

I always try to manage expectations with these things, but after the aforementioned advertisements as well as multiple critics I highly regard the opinions of raving about it (John Campea of Collider for example gave the film his seventh 5-out-of-5 in his entire career) and my well-documented appreciation for the character of Deadpool, not to mention it's higher MPAA rating, there's only so neutral you can be going in. Still, I don't think my own personal biases had me too overhyped for Deadpool, I think I can fairly lay the lion's share of my underwhelming experience at the film itself.

I should start out by saying that I didn't dislike Deadpool, I'm giving it a positive rating, and I recommend that people go watch it. Three stars for me is not a low score at all, I am glad I watched the movie and would happily watch it again, this is not a scathing review; Ryan Reynolds has tried his hand at the comic book film no less than five times, and of those five movies, Deadpool is inarguably the best.

Also worth noting that among those other four films, Ryan Reynolds was not the problem in them, but they were all truly bad movies.

The way in which Deadpool is done is pretty impressive, we get all the gore-laden action, R-rated comedy, quip-havery and fourth-wall-breaking you could want from a feature of his own. There are lots of meta-references to previous work to the past failings of both Reynolds as well as the Fox Studio itself. It's non-linear. It's 100% non-serious, almost a comedy before an action film. It's like the 22 Jump Street of the superhero genre. Stylistically, it's a completely fresh comic book movie.

Which is why the complete juxtaposition of how unbelievably generic the actual plot is, is so jarring. It's not only completely unoriginal, it's sometimes downright bland. The "how" is great, but the core of the "what" feels completely uninspired, and these two aspects clash up against each other very unpleasantly.

Points go out to the work done between Ryan Reynolds and Morena Baccarin, although the majority of their characters' relationship is montaged through, the actors themselves had a great on-screen chemistry. I'm also totally on board for a Deadpool sequel (which has been greenlit) or seeing Deadpool show up in other X-franchise properties. But that doesn't mean I can give Deadpool a pass on the things that didn't gel for me.

63%

-Gimly

Directed by : Peter Kohn, David Wasco, Deborah Aquila, Gary Gilbert, Mary Zophres, Sandy Reynolds-Wasco, Austin Gorg, Marc Platt, Mildred Iatrou, Michael Beugg

Produced by : Peter Kohn, David Wasco, Deborah Aquila, Gary Gilbert, Mary Zophres, Sandy Reynolds-Wasco, Austin Gorg, Marc Platt, Mildred Iatrou, Michael Beugg

Starring : Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt, J.K. Simmons, Amiée Conn, Terry Walters, Thom Shelton, Cinda Adams, Callie Hernandez

Company : Summit Entertainment, Black Label Media, Gilbert Films, Impostor Pictures, Marc Platt Productions

Release date(s) : 2016-11-29

Running time :129 Minutes

Country  : United States

Language :English

Budget :  $30,000,000

Storyline : "To me, _La La Land_ is like religion. I see the appeal, and I would never take it away from anyone. But I would also never stand in line for it."
- Jeff WInger, probably.

_Final rating:★★½ - Not quite for me, but I definitely get the appeal._
A very special, memorable film that will be iconic in the years to come.
This is definitely not a movie that I would have chosen to watch all by myself which perhaps explain why I thought it was just surprisingly okay to watch. However my girlfriend absolutely wanted to watch it so I got it. As it turned out my girlfriend had only gone by the number of Oscars and not really looked up what kind of movie it actually was so in the end I was enjoying the movie a lot more than she did.

This movie is pretty much a quite classical Hollywood musical with a non too original story, nice music and dancing. In addition the cinematography is simply excellent. This is the strong point of this movie. The rest of the movie is of lesser interest to me but the cinematography is really, really good. The scene, pictured on the movie poster, were Mia and Sebastian dances and everything in the scene are dark blue tones except Mia’s bright yellow dress is so simple and yet so beautiful.

Everything else about this movie is…okay. Okay acting, okay story etc. As I wrote before this is really not my kind of movie so forgive me for not being overly enthusiastic. I am sure those into these kind of movies cannot understand how anyone can give it less than a full set of stars but hey, different tastes and all that.

I cannot make up my mind about ending. On one hand I am a sucker for happy endings which this one falls a wee bit short on. On the other hand I have to commend the writer/director for not taking the path of least resistance and instead putting together something a wee bit different.

I did feel that a part of the movie was missing though. I would have liked to see the parts where Mia and Sebastian actually fulfilled their respective dreams. Jumping fast forward to the ending like the movie did felt a bit like they either ran out of money or they manage to misplace half the story!

Anyway, I enjoyed the movie more than I thought I would.
**They'd crossed each others life while chasing their dreams.**

I am not a big fan of modern musical films. So I was not expecting it to be a great or worst. The film opened with a song that I was not happy, because I did not like the verse or the music. And again to say, the modern timeline does not suit for the musical theme, unless it is a fantasy or an Indian film.

The best part of the film was, those song fades away as the film progresses. But I kind of liked the drama/story part and the climax track with the quick flashback (kind of). Till that scene I was considering it an average film, but that one scene changed my stance. So, now I think it is a good film, but winning 6 Oscars, I don't know it deserved that.

Yes, the director is known for making music and musical film, but he has not made many. He's young and so his career. Yep, I loved 'Whiplash'. One of my all time favourite. If that film had won 10 Oscars, I would have not surprised at all. After that flick, the people were anticipating, to exceed that success in this film. As it was received, no doubt for those people it was a different flick, but not for me. Especially if you watch lots of Indian films. By the way the film characters were nice, and so the story, but not the songs.

Gosling and Stone were performed well. The chemistry between them was great. The narration was going decently until the end, which reminded me 'Vinnaithaandi Varuvaaya' ending that I was not happy about, yet something different than usual. Sometimes I am okay with cliché than this kind of conclusion, just to bring a change in storytelling. Overall an enjoyable film, most people would love it. Some like me would say it is a decent flick, but there's always a few who would never favour it. Yet worth a watch.

_7/10_

Directed by : Hans Zimmer, Amanda Mackey, Ellen Lewis, Robert Greenhut, Miroslav Ondříček, George Bowers, Tim Galvin, Penny Marshall, Penny Marshall, Lowell Ganz

Produced by : Hans Zimmer, Amanda Mackey, Ellen Lewis, Robert Greenhut, Miroslav Ondříček, George Bowers, Tim Galvin, Penny Marshall, Penny Marshall, Lowell Ganz

Starring : Tom Hanks, Geena Davis, Lori Petty, Rosie O'Donnell, Madonna, Tracy Reiner, Megan Cavanagh, Bitty Schram, David Strathairn, Ann Cusack

Company : Parkway Productions, Columbia Pictures

Release date(s) : 1992-07-01

Running time :128 Minutes

Country  : United States

Language :English

Budget :  $40,000,000

Storyline : The Drunk and The Babes!

It's 1943 and Baseball in the states has been decimated by all the men being called up to join the services. Enter the ladies who themselves help to kick start a womens league to keep the Baseball fires burning.

The first thing any prospective first time viewer of this piece should note, is that it's not actually a film about Baseball. It's about friendships, challenges and differing off shoots to the complications of war, it just so happens that it's the game of Baseball that brings it all together!

Directed by Penny Marshall (Big), screenplay by Lowell Ganz & Babaloo Mandel (City Slickers/Parenthood) and featuring Tom Hanks (wonderful as drunken coach Dugan) as the leading male, it's no surprise that "A League Of Their Own" booms with sentiment and no little amount of comedy. It is to me a very rewarding picture, the sort that wants you to chuckle along with it whilst noting the need for human interaction during a troubled time.

The lady actors do great impressions of bona fide athletes, asked to parade in short skirts and entertain the watching public, these gals, led by the always engaging Geena Davis, deliver a sparky picture that never veers into maudlin territory. There are of course some sombre moments, but they are placed nicely by Marshall in the context of the films' events, never trite, they serve more as tender vignettes to run alongside the frivolity on offer.

Ultimately "A League Of Their Own" has achieved its aims come the final credits, its not taxing and its not purporting to be an intelligent look at a period in history. It's asking us the viewers to feel heartened by what we just watched, and just maybe to give those girls back in the 1940s a piece of our respect, job done. 7/10

Directed by : Rosanna Norton, Jerry Zucker, Jerry Zucker, Jerry Zucker, Howard W. Koch, John Frazier, Elmer Bernstein, Jon Davison, Joel Thurm, Jim Abrahams

Produced by : Rosanna Norton, Jerry Zucker, Jerry Zucker, Jerry Zucker, Howard W. Koch, John Frazier, Elmer Bernstein, Jon Davison, Joel Thurm, Jim Abrahams

Starring : Leslie Nielsen, Robert Hays, Julie Hagerty, Kareem Abdul-Jabbar, Lloyd Bridges, Peter Graves, Lorna Patterson, Robert Stack, Jim Abrahams, Jonathan Banks

Company : Paramount

Release date(s) : 1980-07-02

Running time :88 Minutes

Country  : United States

Language :English

Budget :  $3,500,000

Storyline : An American Comedy _**Classic**_ - Everything about this film screams 'American Cinema Comedy'. A lot of the humor is a precursor to modern american humor, including the terribly cheesy pulp humor. This film is an homage to the comedies that came before it, but is innovative in its combination of wordplay and referential humor. I see vestiges of this film in everything from 'The Hangover' to 'The Office'.

If at any point you are watching this and find yourself saying 'This is really stupid', just remember: Relax. It's supposed to be stupid.

Directed by : Christopher Greenbury, Marc S. Fischer, Marc S. Fischer, Rick Montgomery, Bobby Farrelly, Bobby Farrelly, Bobby Farrelly, Peter Farrelly, Peter Farrelly, Peter Farrelly

Produced by : Christopher Greenbury, Marc S. Fischer, Marc S. Fischer, Rick Montgomery, Bobby Farrelly, Bobby Farrelly, Bobby Farrelly, Peter Farrelly, Peter Farrelly, Peter Farrelly

Starring : Cameron Diaz, Matt Dillon, Ben Stiller, Lee Evans, Chris Elliott, Lin Shaye, Jeffrey Tambor, Markie Post, Keith David, W. Earl Brown

Company : 20th Century Fox

Release date(s) : 1998-07-15

Running time :119 Minutes

Country  : United States

Language :English

Budget :  $23,000,000

Storyline :

Directed by : Scott Rudin, Karyn Rachtman, Bill Pope, David Kitay, Mona May, Steven J. Jordan, Marcia Ross, Debra Chiate, Amy Heckerling, Amy Heckerling

Produced by : Scott Rudin, Karyn Rachtman, Bill Pope, David Kitay, Mona May, Steven J. Jordan, Marcia Ross, Debra Chiate, Amy Heckerling, Amy Heckerling

Starring : Alicia Silverstone, Stacey Dash, Brittany Murphy, Paul Rudd, Donald Faison, Elisa Donovan, Breckin Meyer, Jeremy Sisto, Dan Hedaya, Wallace Shawn

Company : Paramount

Release date(s) : 1995-07-19

Running time :97 Minutes

Country  : United States

Language :Español, English

Budget :  $12,000,000

Storyline :

Directed by : Philip H. Lathrop, Martin Ransohoff, John Calley, Maurice Richlin, Alexander Mackendrick, George Kirgo, Vic Mizzy

Produced by : Philip H. Lathrop, Martin Ransohoff, John Calley, Maurice Richlin, Alexander Mackendrick, George Kirgo, Vic Mizzy

Starring : Tony Curtis, Claudia Cardinale, Joanna Barnes, Sharon Tate, David Draper, Robert Webber, Mort Sahl, Dub Taylor, Ann Elder, Chester Yorton

Company : Filmways Pictures, Metro-Goldwyn-Mayer

Release date(s) : 1967-06-20

Running time :97 Minutes

Country  : United States

Language :English, Italiano

Budget : 

Storyline :

Directed by : Crys Forsyth-Smith, Michael Chapman, Scott Martin Gershin, Christopher Allen Nelson, Margery Simkin, Sheldon Kahn, Sheldon Kahn, J. Michael Riva, Phil Tippett, Aggie Guerard Rodgers

Produced by : Crys Forsyth-Smith, Michael Chapman, Scott Martin Gershin, Christopher Allen Nelson, Margery Simkin, Sheldon Kahn, Sheldon Kahn, J. Michael Riva, Phil Tippett, Aggie Guerard Rodgers

Starring : David Duchovny, Julianne Moore, Orlando Jones, Seann William Scott, Ted Levine, Dan Aykroyd, Ty Burrell, Andrew Bowen, Sarah Silverman, Katharine Towne

Company : Columbia Pictures, DreamWorks Pictures, The Montecito Picture Company

Release date(s) : 2001-06-08

Running time :101 Minutes

Country  : United States

Language :English

Budget :  $80,000,000

Storyline : Lubricant and the giant product placement.

A meteorite falls to Earth and lands right in the desert at Glen Canyon, Arizona. Two college professors, Dr. Ira Kane and Prof. Harry Phineas Block, take it upon themselves to investigate and mooch around. At the site, they discover worm like insects that are not of this world. Thinking they are on to Nobel Prize type history, they are dismayed when the government takes over the site and shunts them out the way. But as the insects start to evolve in the Earth atmosphere, they take on various shapes and forms of alien creatures. Pretty soon the whole place is over run and the government is at a loss in how to stop them. Enter Ira, Harry, Wayne and Allison to hopefully save the day.

Directed by Ivan Reitman (Ghostbusters 1 & 2), Evolution is a zany sci-fi comedy that achieves firmly what it sets out to do. Using the available special effects for great rewards, and lashing it in Technicolor, all that remained was to have a cast happy to be in on the joke itself. Up step David Duchovny (revelling in none serious X Files malarkey), Orlando Jones (getting all the best lines), Julianne Moore (accident prone) and Sean Wiillian Scott (goofball fireman wannabe). Backed up by Ted Levine, Dan Ackroyd, Ethan Suplee and Ty Burrell, pic is well served right across the cast list. Of course they aren't asked to do anything special, but it's not that kind of film. There's enough here for all the family to enjoy, kids will be awed by the array of alien creatures, whilst the adults should be chuckling away at some of the jokes.

If you are expecting real science then you have come to the wrong place, Evolution parodies the sci-fi parodies, and then some. 7/10