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Directed by : Michael Kaplan, John Morris, Debra Hill, Donald B. Woodruff, Janet Hirshenson, Jane Jenkins, Peter Guber, Jon Peters, John Landis, John Landis

Produced by : Michael Kaplan, John Morris, Debra Hill, Donald B. Woodruff, Janet Hirshenson, Jane Jenkins, Peter Guber, Jon Peters, John Landis, John Landis

Starring : Eileen Brennan, Tim Curry, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, Lesley Ann Warren, Colleen Camp, Lee Ving, Bill Henderson

Company : Debra Hill Productions, Paramount, The Guber-Peters Company, PolyGram Filmed Entertainment

Release date(s) : 1985-12-13

Running time :94 Minutes

Country  : United States

Language :Français, English

Budget :  $15,000,000

Storyline : An amusing take on “And Then There Were None” and “Murder by Death”

RELEASED IN 1985 and directed by Jonathan Lynn, "Clue" is a comedic murder mystery based on the board game featuring an “all-star” cast (Tim Curry, Madeline Kahn, Christopher Lloyd, Eileen Brennan, Lesley Ann Warren, etc.).

This is a good movie if you’re in the mood for an amusing mystery that takes place during the McCarthy era (1954) almost entirely within a vast gothic mansion on a stormy night. It combines movies like “Ten Little Indians” (1965) and “The Beast Must Die” (1974) with the goofiness of “The Private Eyes” (1980).

I was skeptical at how Lynn & the cast could pull off the challenge of making such a confined story entertaining, but I have to admit that I busted out laughing several times (e.g. the scenes of making out with corpses). And the cast is a pleasure to behold with Colleen Camp a highlight as the stereotypical (hot) French maid. The climax with its several murder scenarios is kinda tedious, however.

THE MOVIE RUNS 1 hour 34 minutes and was shot in Paramount Studios, Hollywood, and Max Busch House, Pasadena, California. WRITERS: Jonathan Lynn and John Landis.

GRADE: B-/C+
Cluedo Chaos.

Clue is directed by Jonathan Lynn and he co-writes with John Landis and Anthony E. Pratt. It stars Eileen Brennan, Tim Curry, Christopher Lloyd, Madeline Kahn, Michael McKean, Martin Mull, Lesley Ann Warren, Colleen Camp and Lee Ving. Music is by John Morris and cinematography by Victor J. Kemper.

Based on the board game Cluedo, plot finds six guests anonymously invited to a large mansion for dinner. All of them have something in common and when their host is killed, they must work with the household staff to identify the murderer because the bodies are starting to pile up.

A sort of madcap "And Then There Were None", Clue has ebullience in spades and a cast revelling in the nutty play. The mystery element is actually secondary to the interactions of this splendid array of characters, where physical and vocal humour is the twin driving force. The shifts between pure mania and deadpannery ensure the pace, even during close quarter chattings in the group, never sags.

It's on the surface silly but taking a closer look it's rejoicing in its own humility, the class distinctions shredded for comedic worth. It's definitely a mood piece, I mean you have to be in a good move to go with its flow. For to be down and blue it's more likely to irritate than to cheer one up. The makers are on form, in front of and behind the camera, while Morris' musical score is proper perky.

A flop on release, and mauled in serious critic circles, Clue has garnered a cult fanbase over the decades. So much so it sits with a healthy rating on the main movie data base. It's hard to recommend with great confidence, for it is an acquired taste. But it's a one of a kind from the 1980s, a pic that you should try just in case you do become a fan for life. 7/10
Those three alternate endings were still very confusing.
But it was still humorous nonetheless.

Directed by : Jackie Burch, Thomas Del Ruth, Dede Allen, Marilyn Vance, Charles L. Campbell, John Hughes, John Hughes, John Hughes, Richard Hashimoto, Ned Tanen

Produced by : Jackie Burch, Thomas Del Ruth, Dede Allen, Marilyn Vance, Charles L. Campbell, John Hughes, John Hughes, John Hughes, Richard Hashimoto, Ned Tanen

Starring : Anthony Michael Hall, Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheedy, Paul Gleason, John Kapelos, Ron Dean, Perry Crawford, Fran Gargano

Company : Universal Pictures, A&M Films, Channel Productions

Release date(s) : 1985-02-15

Running time :98 Minutes

Country  : United States

Language :English

Budget :  $1,000,000

Storyline : Click here for a video version of this review: https://youtu.be/tCnm1BN1iAs

The brain, the athlete, the princess, the basket case, and the criminal - yes we’re talking about _The Breakfast Club_. It’s been dubbed as a seminal film of the 1980s and takes a place as an intergenerational classic.

_They were five students with nothing in common, faced with spending a Saturday detention together in their high school library. At 7.00am they had nothing to say, but by 4.00pm they had bared their souls to each other and become The Breakfast Club._

Directed by John Hughes and starring Judd Nelson, Molly Ringwald, Emilio Estevez, Anthony Michael Hall, and Ally Sheedy it rightly deserves that spot as a revered movie. It's very much a comedy-drama and is surprisingly deep in parts, like the scene toward the end where they are all explaining what they did to get the detention. The acting is brilliant, and even though there is a very small cast, its basically the five members of The Breakfast Club and the Vice Principal, they hold your attention because they are so good.

What I particularly liked was how they took the standard college stereotypes and then slowly deconstructed them over the course of the movie, and showed that they actually all had a lot in common. They all had their loves and hates, their sensitivities, and the burden of expectation from their parents, the school, and society as a whole.

It's funny, it's sad, and by the time it concludes, it's quite uplifting, and if it's been a while since you saw it, it might be time to load it up for another look. If you've never seen it, then I suggest you check it out for a great time capsule of a movie that has themes that still resonate today.

Directed by : Chris Lebenzon, Joel Silver, Jackie Burch, Mark Warner, Matthew F. Leonetti, Marilyn Vance, John Hughes, John Hughes, Robert L. Hoyt, John W. Corso

Produced by : Chris Lebenzon, Joel Silver, Jackie Burch, Mark Warner, Matthew F. Leonetti, Marilyn Vance, John Hughes, John Hughes, Robert L. Hoyt, John W. Corso

Starring : Anthony Michael Hall, Kelly LeBrock, Ilan Mitchell-Smith, Bill Paxton, Suzanne Snyder, Judie Aronson, Robert Rusler, Robert Downey Jr., Steve James, Vernon Wells

Company : Universal Pictures

Release date(s) : 1985-08-01

Running time :94 Minutes

Country  : United States

Language :English

Budget :  $7,500,000

Storyline :

Directed by : Tom Stern, Steven Spielberg, Steven Spielberg, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Michael Kahn, Rick Carter, Jane Feinberg, Mike Fenton

Produced by : Tom Stern, Steven Spielberg, Steven Spielberg, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Michael Kahn, Rick Carter, Jane Feinberg, Mike Fenton

Starring : Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Jonathan Ke Quan, John Matuszak, Robert Davi, Joe Pantoliano

Company : Amblin Entertainment, Warner Bros. Pictures

Release date(s) : 1985-06-07

Running time :114 Minutes

Country  : United States

Language :English, Italiano, Español, 广州话 / 廣州話

Budget :  $19,000,000

Storyline : Ah, kids adventure films, how fondly we remember.

In an effort to ward off property developers and save the Walsh's from having to move away. Mikey Walsh, Brand Walsh and their intrepid friends, set off to look for pirate treasure they believe exists after the discovery of a dust covered map.

Fun fun fun! Treasure, pirates, booby traps, crooks, weird cellar dwelling humans, water slides, wishing wells and budding teenager romances, The Goonies has it all.

Directed by Richard Donner and written by Steven Spielberg and Christopher Columbus, The Goonies is one of those rare animals that thrills the children and bewitches the adults in equal measure. Romping along at a fair old click, the film never stops to pause for breath, thus dragging the viewers along for the ride.

There is no expense spared with the production (the sets are delightful) and the cast are mostly engaging. There's some minor annoyances, such as the girls being adventure caricatures, but itches are easy to scratch if you have engaged from the off with its fantastical charms.

It's a film that once loved in childhood should hopefully stay far beyond into your adult years. A junior Raiders Of The Lost Ark perhaps? Maybe not, but still one wholly satisfying action adventure experience, one that's standing the test of time for many of us with our fondly nostalgic glasses perched delicately on the end of the nose. 8/10
Such a classic!

Glad they shown this at the cinema when it reopened - it looked amazing in the big screen!

Directed by : Alan Silvestri, Alan Silvestri, Robert Zemeckis, Robert Zemeckis, Arthur Schmidt, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Lawrence G. Paull, Jane Feinberg

Produced by : Alan Silvestri, Alan Silvestri, Robert Zemeckis, Robert Zemeckis, Arthur Schmidt, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Lawrence G. Paull, Jane Feinberg

Starring : Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, Thomas F. Wilson, Claudia Wells, Marc McClure, Wendie Jo Sperber, George DiCenzo, Frances Lee McCain

Company : U-Drive Productions, Universal Pictures, Amblin Entertainment

Release date(s) : 1985-07-03

Running time :116 Minutes

Country  : United States

Language :English

Budget :  $19,000,000

Storyline : **Entertaining**

A man goes back in time to save his mother - or something like that anyway - I was too entertained to fully grasp what was going on. Seriously, this film moves so fast that you will find yourself having to try your hardest to keep up with it.

Great movie. Great soundtrack. Great performances. A shame that the sequels did not live up to this one.

- Ian Beale
Earth Angel And The Nuclear DeLorean.

It's 1984 and director Robert Zemeckis, fresh from the success of Romancing The Stone, is trying to film Back To the Future - a film about a young teenager called Marty McFly who is accidentally sent back in time to 1955 and inadvertently risks the future of his family. Zemeckis is troubled by his leading man, Eric Stoltz, who just isn't capturing the youthful teenager exuberance that he wants for Marty McFly. Stoltz is jettisoned and in comes Michael J. Fox who was busy wowing audiences in the hugely popular sit-com Family Ties. Fox had been first choice anyway but couldn't get a release slot from shooting with Family Ties. Luckily the wasted time with Stoltz created an opening for Fox to play Marty McFly as well as work on the show - the result of which would turn out to be one of the most beloved fantasy trilogies of the modern era.

It's honestly hard to find anyone who seriously doesn't like Back To The Future part one. The second one has its critics, because, lets face it, it's a bridge between two better films, while the third film loses some people because of its Western themed plot (the heathens that they are). Yet really this trilogy opener is as near perfect cinema for all the family as you could wish to view. It's a water tight script from Zemeckis and Bob Gale that not only encompasses witty time travel paradoxes, but also dares to be dramatic into the bargain. The first 15 minutes contains a real shocker that is as cheeky as it bold, something that really gives Marty's 1955 quest a real urgency that the audience can buy into as the comedy relief then comes in spades. The set pieces are first rate - hello skateboard - hello rock "n" roll 101, and the makers have fun in winking towards other notable sci-fi pictures along the way. Hell they even manage to deal in an Oedipal strand that is tasteful, handled superbly and garners guffaws aplenty. No mean feat that last one actually. Alan Silvestri provides a whirring & pleasing score and the theme song, The Power Of Love, by Huey Lewis & The News, is infectiously enjoyable. Finally it's the cast that seal the deal for why this is as good as it gets for fantasy escapist cinema. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson & Crispin Glover are the perfect quintet, each feeding off each other and doing justice to the excellently constructed story.

Made for $19 million, Back To The Future went on to make a worldwide gross of over $381 million, and those are the kind of figures you really can't argue with. It's snappy, happy and down right funny, so really, if you don't like Back To The Future then seek medical help immediately. 10/10
"Robert Zemeckis remains the beating heart of modern science-fiction films"

The first time I have ever redacted a critic was down in 2015, since then, I learned how impressive productions could change lives and start movements throughout the world. Back To The Future represents one of those films, such a powerful, inspirational, comical, heartwarming, and innovative one. Probably, McFly and Doc Brown proffer the best duo-interaction I have ever beheld in an 80s film (which, happily, could end up being top-notch of all time). There are almost no blunders to be found because the flick essentially represents an instant classic of cinematic history as if to say, pure perfection. From this moment on, you might be thinking about the reason of having assessed the film as absolute perfection score.

First and foremost, we discuss relating to breaking formulas and experiencing new paths, in other words, means opening new cinematic genres and improving them, that is to say, films which leave a significant legacy. Back To The Future follows the proper steps to provide that brand-new feature we were all hoping. Secondly, we balance the film's highest moments and ordinary moments with humour, some 50's nostalgia, some drama and (even) some action moments which results in a win-win the film provides a mixture of genres carefully well-managed and accurately-needed. Third, if the goal is the production of an instant classic, we will need to focus on the cast, because they are the ones who will perform during the whole film, they embody the heroes and villains; therefore, they become fundamental. Michael J. Fox and Christopher Lloyd are the film's core, as excellent as Vince Vaughn-Owen Wilson's 2005 Wedding Crashers, I daresay.

Finally, but not least, the soundtrack and the environment, in spite of ending up being complementary, provides not only a trusting reality but an opportunity to show the audience the plot's main incidents. During the display, we will notice the most recurrent spots are the 80's and 50's at school, at traditional coffee shops and the streets, not forgetting the excellent pop-culture references introduced.

The audience ought to congratulate Robert Zemeckis' mind and, also, the crucial support of his staff (one of whom was Steve Spielberg) owing to this masterpiece. The montage is proof that everyone who has an incredible imagination is capable of creating chef-d'oeuvres, delivering the audience such an extraordinary time. What is more exhilarating is the fact that then-president Ronald Reagan loved the film to the point that he used famous BTTF quotes, for example, during his 1986 State of Union Adress. What an achievement ladies and gentlemen!

(90/100)