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Directed by : Ellen Heuer, Jonah Hill, Seth Rogen, Nathan Kahane, Carla Hetland, Lisa Love, Maureen Webb, Jeremy Stanbridge, Lyle Workman, Kelli Konop

Produced by : Ellen Heuer, Jonah Hill, Seth Rogen, Nathan Kahane, Carla Hetland, Lisa Love, Maureen Webb, Jeremy Stanbridge, Lyle Workman, Kelli Konop

Starring : Jacob Tremblay, Brady Noon, Keith L. Williams, Molly Gordon, Midori Francis, Will Forte, Josh Caras, Retta, Lil Rel Howery, Millie Davis

Company : Good Universe, Point Grey Pictures

Release date(s) : 2019-08-14

Running time :89 Minutes

Country  : United States

Language :English

Budget :  $20,000,000

Storyline : walking into the theater i didnt know what to expect from this movie except two things one to atleast laugh a little and two to be in aww by the shocking content but however what i personally didnt expect was to attend the absolute funniest movie ive seen all year long i laughed out loud nonstop i loved the characters as well this definetly isnt for everyone kids included or anyone offended by sex humor but if you can take it i highly recommend seeing this comedy blockbuster
Most of the comedies that I love have an element of emotional weight, and ‘Good Boys’ is no exception. The film has some really bittersweet conversations about losing friendships and growing up that are sure to hit home for a lot of people. It helps push the film to the next level, and was something I really adored.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-good-boys-more-than-just-a-young-superbad
Everything old is new again.

Three naive six-graders are on a quest to get to their first kissing party, but get detoured along the way. Sound familiar? That's because it's the same plot as "Superbad" only with younger kids. From having to score drugs to selling a sex doll, these kids get into all kinds of ridiculous hijinks that provide only a mild laugh now and again.

My main problem here is the rehash. Why? "Superbad" is a far superior movie, probably because of the knowledge the characters bring to the table. These kids know next to nothing about the world, a fact that's played up to a maximum extent time and again. By the end of the movie, I was ready to throw my hands up in the air saying "Alright! I get it already." And the characters don't really develop to a significant extent. They remain just as naive at the end of the movie as they were at the beginning.

As a result, we wind up not just with a rehash of "Superbad" but a rather stagnant one at that. It can be cute at times, but overall we learn nothing along with the characters and our lives are not richer for having seen this movie. It's a cute diversion, but nothing else. Take it for what it is, or don't. My recommendation is that if you have anything else to see, you're probably better off seeing that instead.
It's not very good, and it is very derivative but man, I guess I'm just a sucker for jokes about drug use? For whatever reason I pretty consistently find it genuinely funny. Probably says more about me than it does about _Good Boys_, but whatever, it's fine.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Directed by : James J. Murakami, Harold Ramis, Harold Ramis, Harold Ramis, Trevor Albert, Danny Rubin, Danny Rubin, John Bailey, George Fenton, Howard Feuer

Produced by : James J. Murakami, Harold Ramis, Harold Ramis, Harold Ramis, Trevor Albert, Danny Rubin, Danny Rubin, John Bailey, George Fenton, Howard Feuer

Starring : Bill Murray, Andie MacDowell, Chris Elliott, Stephen Tobolowsky, Brian Doyle-Murray, Angela Paton, Rick Ducommun, Rick Overton, Robin Duke, Willie Garson

Company : Columbia Pictures

Release date(s) : 1993-02-11

Running time :101 Minutes

Country  : United States

Language :English, Français, Italiano

Budget :  $14,600,000

Storyline : Funny story done to fit on Bill Murray's shoes.

It is good enough and with a moral for the family but I don't get it what this is such a famous movie.
I can watch this movie again and again and again. Just trying to imagine what I would do in such a situation. And who doesn't like groundhogs?
**The Future is Not a Given**

_Groundhog Day_ sets out to accomplish the inconceivable, where few comedies, or movies of any kind, or art forms of any device dare to tread. It is determined to ultimately answer: How does one find true happiness. The kind of baby that might have been hatched by crossing Woody Allen and Dali Lama. What's truly amazing is that it pretty well achieves this without being pretentious or portentous. Its humble, pedestrian style coincides with it's charitable message. Furthermore, it's a riot!

What do you do when the snowstorm of life traps you into a place you don't want to be? Self-destructive anarchy is an option: drinking, stealing, screwing, lying, joyriding and suicide. But this is a big storm so long-term solutions are required. The good news if you're lonely and unhappy? You probably have more time to dedicate to self- improvement (music lessons, ice sculpturing).

But challenging the self must have worthwhile outcomes. Phil, believing he's magical, challenges himself to get Rita to sleep with him within 24 hours. He's being dishonest, still playing games and ends up getting slapped in the face repeatedly. It appears that Phil's obstinate pattern of narcissistic behaviour is the cause of this inert existential loop, and one that traps everyone he is in contact with. When he finally realizes that while money, sex and immediate self-gratification might have their perks, they are short-lived and vastly overrated, and a major personality overhaul will be required to escape this Kafkaesque nightmare. An endless, insanely frigid winter is bound to contain him (them (us)) unless new strategies are introduced, alternative energies adopted, the shift away from a self-serving paradigm sustained.

To his credit, Phil refuses to be cornered into the status quo and become one in a million zombies chanting “it is what it is”. Phil actually starts to recover when he gives up trying. When he dismisses the quick fixes (sex, booze, anger, lying and fighting), when he relinquishes his ego and lets go of his smarmy King Joffrey-Justin Bieber juvenility, when he learns to be himself, like himself, settle into his own skin so he can thrive in and, in turn, improve his surroundings. In a reversal of _It's a Wonderful Life_, rather than Bedford Falls being worse off from George's absence, Punxsutawney is better off with Phil's presence. Routine days require routine acts of kindness and Phil and the entire town collectively benefit from it. Phil is a born-again humanist, one who rescues himself from himself, escaping a solipsistic rotation of mutually-destructive behaviour simply by being a good Samaritan. The forecast: many rewarding days of sunshine.

I always had a bit of a problem with the ending. That the cycle of unhappiness only ends when the guy gets the girl. But now I see that getting the girl was coincidental (and symbolic). Before he gets the girl he has to get himself. That's how you put a reverse spin on a downward spiral. The girl is now able to love the boy because he is love-worthy. The boy could be anyone. A politician. A corporation. You.

Directed by : Tim Burton, Danny Elfman, Richard L. Anderson, Warren Skaaren, Janet Hirshenson, Jane Jenkins, John Warnke, Cheryl Carasik, Bob Badami, Bo Welch

Produced by : Tim Burton, Danny Elfman, Richard L. Anderson, Warren Skaaren, Janet Hirshenson, Jane Jenkins, John Warnke, Cheryl Carasik, Bob Badami, Bo Welch

Starring : Michael Keaton, Geena Davis, Alec Baldwin, Winona Ryder, Catherine O'Hara, Jeffrey Jones, Glenn Shadix, Sylvia Sidney, Patrice Martinez, Dick Cavett

Company : Geffen Pictures, Warner Bros. Pictures

Release date(s) : 1988-02-29

Running time :92 Minutes

Country  : United States

Language :English

Budget :  $15,000,000

Storyline : Inventive and Fun take on the Afterlife.

RELEASED IN 1988 and directed by Tim Burton, “Beetlejuice” chronicles the story of a couple (Alec Baldwin & Geena Davis) who accidently perish after moving to a quaint Connecticut town. They find themselves sentenced to “haunting” their former house where they try to scare the new wannabe swank couple out (Jeffrey Jones & Catherine O'Hara), but they find that their Goth daughter is more curious than scared (Winona Ryder). Michael Keaton plays the eponymous madcap “bio-exorcist” while Glenn Shadix is on hand as the new couple’s interior designer.

This was Burton’s debut on the silver screen and the first half is hilarious entertainment mixed with some interesting insights on the afterlife. The movie puts its best foot forward, but the second half isn’t as compelling and I think the title character is more annoying than amusing.

THE FILM RUNS 1 hour & 32 minutes and was shot in beautiful East Corinth, Vermont, and (studio) Culver City, California. WRITERS: Michael McDowell, Larry Wilson and Warren Skaaren.

GRADE: B+

Directed by : Marci Liroff, Kym Kristalie, Wendy Greene Bricmont, Marc Fishman, John Stoneham Jr., Brandt Gordon, Rolfe Kent, Mary Jane Fort, Dana E. Glauberman, Mark Waters

Produced by : Marci Liroff, Kym Kristalie, Wendy Greene Bricmont, Marc Fishman, John Stoneham Jr., Brandt Gordon, Rolfe Kent, Mary Jane Fort, Dana E. Glauberman, Mark Waters

Starring : Lindsay Lohan, Rachel McAdams, Lacey Chabert, Amanda Seyfried, Lizzy Caplan, Daniel Franzese, Jonathan Bennett, Tina Fey, Tim Meadows, Amy Poehler

Company : Broadway Video, Paramount, M.G. Films

Release date(s) : 2004-04-30

Running time :97 Minutes

Country  : United States

Language :Kiswahili, English, Deutsch, Tiếng Việt

Budget :  $17,000,000

Storyline : I hardly ever watch contemporary American comedies in which most of the top cast are women (I still haven't seen either 'Clueless', 'Bridesmaids' or 'Heathers', for example), but recently I enjoyed 'The Devil Wears Prada', I have liked both Lindsay Lohan (especially in 'Bobby' and 'The Prairie Home Companion') and Rachel McAdams (most significantly in 'Redeye' and 'Passion'), so knowing that one of my favourite SNL comediennes, Tina Fey, both wrote and co-starred in this, made me give it a shot. It being critically lauded by some male cinephiles I trust didn't hurt matters, either.

It was full of laughs and subtly got across its points about 21st-century American society and of the growing pains for young women in its high school shenanigans. 'Mean Girls' is definitely worth the trouble to find and to give a try yourself. It left me enthusiastically wishing Ms. Lohan can sort out her personal troubles and get back to acting, where she belongs.
_Mean Girls_ has absolutely no business being as phenomenal as it is. None at all. If you've read many enough my reviews to get any sort of indication as to the sort of cinema I am in to, then you could be forgiven for assuming I wouldn't be a fan. After all, _Mean Girls_ is about as far away from my wheelhouse as a movie could conceivably be. But I fucking **love** it. And I honestly can't tell you why. Every single piece of _Mean Girls_ examined in isolation, is something I despise. Every trope, formula, format, cliche, device and style choice is something I have ragged on a hundred times before in different reviews, but for whatever reason, I cannot put _Mean Girls_ down. I don't think a single year has gone by since I first saw it in the late '00s that I haven't rewatched it. Usually, multiple times a year. Inexplicable, but there it is.

_Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._

Directed by : Craig Wood, David Farmer, Tom Johnson, Louise Frogley, Sarah Halley Finn, Shepherd Frankel, Gene Serdena, Paul Rudd, Stan Lee, Stan Lee

Produced by : Craig Wood, David Farmer, Tom Johnson, Louise Frogley, Sarah Halley Finn, Shepherd Frankel, Gene Serdena, Paul Rudd, Stan Lee, Stan Lee

Starring : Paul Rudd, Evangeline Lilly, Michael Peña, Walton Goggins, Bobby Cannavale, Judy Greer, T.I., David Dastmalchian, Hannah John-Kamen, Abby Ryder Fortson

Company : Marvel Studios

Release date(s) : 2018-07-04

Running time :119 Minutes

Country  : United States

Language :English

Budget :  $140,000,000

Storyline : It's fun to see big stuff get real little and little stuff get real big, but _Ant-Man and the Wasp_ suffers the same problems of its predecessor, except this time with an added issue, one that effects many movies (and even more TV shows), the problem of "The entire movie didn't have to happen if people would just have had normal human conversations with one another".

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Actually quite good! It's like a less-weird, but more fun version of a Deadpool - in the sense that it is both filled with action but also with fun acting.

I recommend it for a Saturday evening. It is quite wholesome.
I did indeed enjoy this movie…somewhat. However I cannot say that I was overly impressed.

The story was okay. I would not expect a deep and thought provoking story from a super hero movie nor would I want it. It served as a decent enough vehicle for moving things forward.

Most of the actors did a good enough job of the role they were given which in some cases was pretty much mission impossible given some of the overly silly characters in the movie. In particular I got tired of Luis almost before the first scenes he was in had finished. He was just so silly that you started to wonder what age the target audience was. Jimmy Woo was not far behind.

I think this leads to my main gripe with the movie. I expected a super hero movie but what I got was a fairly lame comedy with super heroes in it. It was just too much comic elements in it for me. I could probably have liked it if the jokes were somewhat intelligent but, for me, they were not. They alternated between overly silly and stupid characters, slap-stick and simple fall-on-your ass jokes.

What about the bad guy? Well, first off, there was not really a distinct bad guy but a hole bunch of them. Unfortunately none of them had any real bad guy charisma. I assume that Sonny was supposed to be the main bad guy and he certainly had enough evil lunatic air about him to fit that but again…too silly. Then we have the lame Jimmy Woo who was just annoying. The Ghost was probably the best one but then she was not really a bad guy was she?

I did like most of the action and the special effects though. The playing around with shrinking and returning to normal size, or greater, was both cool and funny. This shrinking business is of course a difficult theme to work with from a science and logic point of view. For instance, if you shrink a car to the size of a toy car it still weighs like a full size one and you cannot just pick it up. And what about the lab popping up and down all the time? Why weren’t everything shaken to bits inside when they started to run around with it? And don’t get me started about electricity and plumbing. But then, in this kind of movie I would say just just have to turn off that part of your brain. It made for some cool scenes after all.

I also did like that the story was more of a down to Earth story. No overall galactic plot, no snapping of fingers to make…well you know what. Okay, there was the post credit scenes which was a bit of an annoying tie in. Perhaps best of all though, I could not really feel much SJW or other form of politically correct preaching being showed down my throat. Today that is a great plus for any movie.

So, to sum up, I did enjoy it but it was not great and I was indeed a little bit disappointed at the end.
For fans of the first one, which includes me, Ant-Man and the Wasp is more of what you like. More heisting. More car chases. More Giant Man. More of the three wombats. More humour. More mediocre villains. More romance between Scott and Hope. More family bonding. And of course, more quantum realm. It's fun. It's light hearted. It works.

That post credit scene though .... 😲
“Ant-Man and the Wasp” is a really weird Marvel movie.

Like its pint-sized superhero, the film doesn’t quite fit in with the typical MCU big screen canon and is a laid back yet thoroughly forgettable entry into the fatigued superhero genre. The story doesn’t try to tie too much together (save for a mid-credits scene), there’s not an over-dependence on rambunctious CGI effects, and the attempts at humor feel oddly forced (I’d estimate only 30% of the jokes land successfully). Despite the lame title characters and the ever-likeable Paul Rudd‘s offhand charisma, this film gives the impression that it’s an average C student trying desperately to overcome underdog status and achieve a place on the honor roll.

The best part of the film besides Rudd (he makes this one, just like every movie he’s cast in, impossible not to enjoy at least a little), are the special effects. Sure, they’re all computer generated, but they’re some of the most creative since 2016’s “Doctor Strange.” The worst part of the film is its contrived humor. It’s stiff, often cringe-worthy, and sticks out like a sore thumb as it grows increasingly desperate. The film’s multiple writers couldn’t have helped things, and the barrage of thoughtless, lazy jokes quickly wore me down.

Also lacking is suspense and a viable antagonist. There’s the oddly disturbing Ghost (Hannah John-Kamen), a woman who is living in unbearable pain and appears to be a formidable foe for Ant-Man (Rudd), The Wasp (Evangeline Lilly), and Hank Pym (Michael Douglas). But then she suddenly finds her heart and the evil disappears. The same goes for Dr. Foster (Laurence Fishburne), a professor who also has a near immediate change of heart. The thin rescue mission premise of extracting Hank’s wife Janet (Michelle Pfeiffer) from the Quantum Realm after being trapped there for the last 30 years also means there’s not too much else to root for.

The quantum rules change on a whim to fit the action sequences, with a sometimes shrinking and sometimes growing super suit. And cars. And buildings. The exposition dialogue is long-winded and repetitive, and the ill-advised “comic” relief from Michael Peña is not snarky enough to feel fresh or new (see “Thor: Ragnarok“).

This is a shallow, pointless film that becomes an exhausting bore.

Directed by : Michael Andrews, Sheila Jaffe, Helen Pollak, Helen Pollak, Mark Wahlberg, Brad E. Wilhite, Clayton Hartley, Marc D. Evans, Sean Anders, Sean Anders

Produced by : Michael Andrews, Sheila Jaffe, Helen Pollak, Helen Pollak, Mark Wahlberg, Brad E. Wilhite, Clayton Hartley, Marc D. Evans, Sean Anders, Sean Anders

Starring : Mark Wahlberg, Rose Byrne, Isabela Merced, Margo Martindale, Julie Hagerty, Tig Notaro, Octavia Spencer, Gustavo Quiroz Jr., Julianna Gamiz, Allyn Rachel

Company : Closest to the Hole Productions, Paramount, Leverage Entertainment

Release date(s) : 2018-11-16

Running time :118 Minutes

Country  : United States

Language :English

Budget :  $48,000,000

Storyline : First of all, the acting in this film just perfect. In every scene, you can see and tell that all the actors and actresses were giving it their one hundred and ten percent. Mark Wahlberg and Rose Byrne played compelling characters that seemed like real people. I think any parent will be able to relate to them in one way or another. The kid actors did great, especially Isabela Moner who plays Lizzy. Just like how Mark and Rose played characters parents can relate to Isabela played a character that a majority of teens can relate to. I know I could easily relate to her. The pacing in the film was surprisingly great. I thought for a film like this they would want to rush some scenes but no. All the scenes seemed to have the perfect pacing in them and only a few of them were cut a bit too short but that didn’t bother me too much. The humour in this film was placed in the right places and didn’t seem forced. This film will take you on an emotional rollercoaster. At some parts, you’ll be happy and laughing while in others trying to hold back tears. I also really enjoyed how the film felt like you were a fly on the wall during all the scenes. I think my only big problem with this film is when they tried to throw more conflict into the film. I won’t say what they did but it was unnecessary and could have just been cut out of the film altogether. Also, the few scenes that should have been longer but weren’t also kind of bugged me but didn’t ruin my enjoyment of the film. In the end, this film is an excellent film for the whole family to go and see. I give Instant Family a 9.5/10.

Directed by : William Goldman, Georges Delerue, Sheldon Kahn, Sheldon Kahn, Michael Chinich, James D. Bissell, Donn Cambern, Ivan Reitman, Ivan Reitman, Michael C. Gross

Produced by : William Goldman, Georges Delerue, Sheldon Kahn, Sheldon Kahn, Michael Chinich, James D. Bissell, Donn Cambern, Ivan Reitman, Ivan Reitman, Michael C. Gross

Starring : Arnold Schwarzenegger, Danny DeVito, Kelly Preston, Chloe Webb, Bonnie Bartlett, Marshall Bell, Trey Wilson, David Caruso, Hugh O'Brian, Tony Jay

Company : Universal Pictures

Release date(s) : 1988-12-09

Running time :107 Minutes

Country  : United States

Language :English

Budget :  $15,000,000

Storyline : So much fun to be had here.

As long as you know what to expect, and really that shouldn't be too hard to do when you are getting ready to watch a movie that has Danny DeVito & Arnold Schwarzenegger as twin brothers!

Julius (Arnold) & Vincent (Danny) are the result of a genetic experiment that should have realised the perfect child, instead they were born as twins, separated at birth and both went on to lead different lives. Julius was raised on a gorgeous island, he is greatly educated and knows no fear of the world, Vincent on the other hand is a low class womanising weasel from the big city. Upon learning of having a twin brother, Julius sets off to the big city to find the brother he never knew he had, trouble is, is that Julius has no comprehension of city ways, and coupled with the fact that Vincent really isn't the brotherly kind, this only compounds the situation further.

Twins is a very tidy piece, the two leads play off of each other very well, and as dumb as the plotting is, it sure as hell makes for a good fun night viewing. Female gravitas comes in the form of the sultry Kelly Preston and the criminally undervalued Chloe Webb, but really the film's charm is all down to the little and large act of DeVito & Schwarzenegger, plenty of laughs here. So open the ale, chomp on the popcorn, and leave the brain at the door. 7/10

Yakety Yak, Yakety Yak.