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Directed by : John Lasseter, John Kahrs, Jim Passon, Christophe Beck, Odin Benitez, Odin Benitez, Chris Buck, Chris Buck, Peter Del Vecho, David Womersley

Produced by : John Lasseter, John Kahrs, Jim Passon, Christophe Beck, Odin Benitez, Odin Benitez, Chris Buck, Chris Buck, Peter Del Vecho, David Womersley

Starring : Kristen Bell, Idina Menzel, Jonathan Groff, Josh Gad, Santino Fontana, Alan Tudyk, Ciarán Hinds, Chris Williams, Stephen J. Anderson, Maia Wilson

Company : Walt Disney Pictures, Walt Disney Animation Studios

Release date(s) : 2013-11-27

Running time :102 Minutes

Country  : United States

Language :English

Budget :  $150,000,000

Storyline : "Frozen," the latest Disney musical extravaganza, preaches the importance of embracing your true nature but seems to be at odds with itself.

The animated, 3-D adventure wants to enliven and subvert the conventions of typical Disney princess movies while simultaneously remaining true to their aesthetic trappings for maximum merchandising potential. It encourages young women to support and stay loyal to each other—a crucial message when mean girls seem so prevalent—as long as some hunky potential suitors and adorable, wise-cracking creatures also are around to complete them.

It all seems so cynical, this attempt to shake things up without shaking them up too much. "Frozen" just happens to be reaching theaters as Thanksgiving and the holiday shopping season are arriving. The marketing possibilities are mind-boggling. And in the tradition of the superior "Beauty and the Beast" and "The Little Mermaid," surely "Frozen: The Musical" will be headed to the Broadway stage soon. The songs – which are lively and amusing if not quite instant hits—are already in place.

Little girls will absolutely love it, though. That much is undeniable. And the film from co-directors Chris Buck ("Surf's Up") and Jennifer Lee is never less than gorgeous to watch. A majestic mountaintop ice castle is particularly exquisite—glittery and detailed and tactile, especially as rendered in 3-D.

But first we must witness the tortured backstory of the film's princesses – not one, but two of them. The script from "Wreck-It Ralph" co-writer Lee, inspired by the Hans Christian Andersen story "The Snow Queen," has lots of cheeky, contemporary touches but is firmly and safely rooted in Scandinavian fairy tale traditions.

When they were young girls, sisters Anna and Elsa were joyous playmates and inseparable friends. But Elsa's special power—her ability to turn anything to ice and snow in a flash from her fingertips—comes back to haunt her when she accidentally zaps her sister. (Not unlike the telekinesis in "Carrie," Elsa inadvertently unleashes her power in moments of heightened emotion.) A magical troll king heals Anna and erases the event from her memory, but as for the sisters' relationship, the damage is done.

Elsa's parents lock her away and close down the castle, which devastates the younger Anna. (Of the many tunes from "Avenue Q" and "The Book of Mormon" songwriter Robert Lopez and his wife, Kristen Anderson-Lopez, the wistful "Do You Want to Build a Snowman?" is by far the most poignant.) But once they reach adolescence and it's Elsa's turn to take over the throne at age 18, the two experience an awkward reunion.

The perky, quirky Anna (now voiced by a likable Kristen Bell) is a little nervous but overjoyed to see her sister. The reserved and reluctant Elsa (Broadway veteran Idina Menzel) remains distant, and with gloved hands hopes not to freeze anything and reveal her true self on coronation day. But a run-in with an amorous, visiting prince (Santino Fontana) who sets his sights on Anna triggers Elsa's ire, and she inadvertently plunges the sunny, idyllic kingdom into perpetual winter.

Flustered and fearful, Elsa dashes away in a fit of self-imposed exile – which significantly weakens "Frozen," since she's the film's most complicated and compelling figure. On her way to the highest mountain she can find, Elsa belts out the power ballad "Let It Go," her version of "I Am Woman." This soaring declaration of independence is the reason you want a performer of Menzel's caliber in this role, and it's the film's musical highlight. (Her flashy physical transformation from prim princess to ice queen does make her resemble a real housewife of some sort, however.)

Afterward, though, the story settles in on Anna's efforts to retrieve her sister and restore order to the kingdom. Along the way she gets help from an underemployed ice salesman named Kristoff (Jonathan Groff) and his trusty reindeer sidekick, Sven. They all meet up with a singing snowman named Olaf (a lovably goofy Josh Gad, star of "The Book of Mormon" on Broadway) who dreams of basking in the warmth of the summer sun. This "Wizard of Oz"-style quartet makes the obstacle-filled trek to the imposing fortress that awaits. (At least "Frozen" has the decency to borrow from excellent source material.)

While the journey may seem overly familiar, the destination has some surprises in store. Some come out of nowhere and don't exactly work. But the biggie—the one that's a real game-changer in terms of the sorts of messages Disney animated classics have sent for decades—is the one that's important not just for the little girls in the audience, but for all viewers. http://newmoviestream.co/watch/2294629/frozen
wish everything about the film met the same clever standard.
I was excited to watch this movie after all the buzz about it but I've been a bit disappointed.

Yes, the animation is great and it keeps all the typical Disney details and is funny, sometimes. In addition, it features two strong female characters that don't need of a hero to save the story but ...

... but still they are the super-beautiful and perfect Disney princesses, as if they couldn't be normal girls from normal status, and the role of Queen Elsa is not that important as it would have expected.

Not a bad movie, but not the best and I think far from the fun I had with Tangled.
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Six years later, and Frozen has left an undeniable cultural impact. From Let It Go to tons of merchandising, Chris Buck and Jennifer Lee delivered such a memorable film that people not only didn’t forget but regularly asked for its sequel. As of right now, Frozen II has claimed the third-best animated opening weekend ever, proving that the love for this franchise (I think it’s safe to call it that already) is strong. However, how great is the original movie, after all? To be honest, I never fully watched it until this past week in preparation for its sequel. It surprised me in the sense that I didn’t expect to enjoy it as much as I did. Frozen is deserving of the love it possesses.

With extremely captivating characters, the story flows naturally, and the entertainment levels are always high. Whether these are due to the amazing singing sequences or to the exciting adventures, this film never stops having fun. That’s what Frozen ultimately is: a lighthearted, fun, and entertaining movie. It follows Disney’s formula for creating a variation of a story we have seen before. Characters go through a traumatic event when they’re young. They have to grow up while struggling with the aftermath of said trauma. Eventually, they overcome that obstacle and live happily ever after (or at least until the next installment).

It’s the generic and somewhat cliche Disney model for a new animated film (franchise). Nevertheless, don’t get me wrong: it works perfectly. Sure, it doesn’t bring anything new story-wise, but it’s still a great time. Despite some unnecessary and lazy exposition (the magical trolls are basically exposition devices), Frozen still delivers a truly captivating and visually jaw-dropping narrative. I do need to emphasize this: the animation is phenomenal. Elsa’s magic is seamless and beautiful. Arendelle is a gorgeous location, and the snowy mountains are impressively designed. Let It Go will always be remembered for its lyrics and melody, but the actual animated sequence is astonishing.

Every character carries a lot of expressiveness, which allows them to do basically everything. Frozen might not be a groundbreaking movie, but its compelling characters make the generic plot work. From Elsa and Anna’s complicated but heartwarming relationship to Kristoff and Sven’s camaraderie, I care about all of them… especially Olaf. I know, Olaf is simply the snowman version of a comic-relief character. He doesn’t really have a complex arc in need of extreme development. However, it’s impossible not to love him. He’s such a welcome presence in every single scene. Every single line of his is either a funny remark or a pretty valuable insight into something.

Counting him out, every other character has a very well explored arc, mainly Elsa and Anna. Their (older) relationship originates from a plot point that might be a tad exaggerated, but it’s convincing enough. Finally, the score is as important as it is fantastic. It’s an animated musical, let us not forget about that. Obviously, Let It Go is the queen of all songs due to its catchy lyrics, memorable chorus, and significance to the character. But other ones such as Do You Wanna Build a Snowman and For the First Time in Forever also carry a sweet melody plus some exquisite character and story development. That’s what I love the most about musicals and why Disney always triumphs regarding this aspect: the way a simple song can tell so much about someone or move the plot forward. In my opinion, it’s the genre’s variation of “show, don’t tell.”

In the end, Frozen might not be a groundbreaking animated film story-wise, but it delivers around 100 minutes of pure fun and entertainment. With an exceptional voice cast (Idina Menzel, Kristen Bell, and Josh Gad are wonderful), Chris Buck and Jennifer Lee are able to take Disney’s formula and create a worthy variation of the classic blueprint. From the emotionally compelling and well-developed characters to the eyegasmic animation quality, Frozen is a good time from start to finish. Boasting some memorable and catchy songs, it became one of the decade’s culturally most impactful animated movies. I wish exposition wasn’t overused, and that more risks were taken concerning the screenplay, but as a Disney animated flick, it meets the company’s standards.

Rating: B
Great animation and good voice talent, however pretty weak story but ultimately entertaining enough movie. Also found the music, outside of the song "Let It Go" (which was played to death for the past several years now) were rather forgettable and bland. **3.0/5**

Directed by : Jim Denault, Kerry Barden, Mark Mothersbaugh, Craig Alpert, Elizabeth Banks, Elizabeth Banks, Benjamin L. Cook, Jeff Levine, Paul Brooks, Scott Niemeyer

Produced by : Jim Denault, Kerry Barden, Mark Mothersbaugh, Craig Alpert, Elizabeth Banks, Elizabeth Banks, Benjamin L. Cook, Jeff Levine, Paul Brooks, Scott Niemeyer

Starring : Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Skylar Astin, Adam Devine, Katey Sagal, Anna Camp, Ben Platt, Alexis Knapp

Company : Universal Pictures, Gold Circle Films, Brownstone Productions

Release date(s) : 2015-05-07

Running time :115 Minutes

Country  : United States

Language :English

Budget :  $29,000,000

Storyline : Clunky sequel coasts on the cast's chemistry and some fun musical numbers. But definitely a step down from the effortless original.
'Pitch Perfect 2' was not as good as first. The musical numbers were not as memorable as the first. It simply wasn't as funny as the first. Anna Kendrick showed that she was a good singer though but the film lacked any real story.

★★

Directed by : Tom Stern, Steven Spielberg, Steven Spielberg, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Michael Kahn, Rick Carter, Jane Feinberg, Mike Fenton

Produced by : Tom Stern, Steven Spielberg, Steven Spielberg, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Michael Kahn, Rick Carter, Jane Feinberg, Mike Fenton

Starring : Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Jonathan Ke Quan, John Matuszak, Robert Davi, Joe Pantoliano

Company : Amblin Entertainment, Warner Bros. Pictures

Release date(s) : 1985-06-07

Running time :114 Minutes

Country  : United States

Language :English, Italiano, Español, 广州话 / 廣州話

Budget :  $19,000,000

Storyline : Ah, kids adventure films, how fondly we remember.

In an effort to ward off property developers and save the Walsh's from having to move away. Mikey Walsh, Brand Walsh and their intrepid friends, set off to look for pirate treasure they believe exists after the discovery of a dust covered map.

Fun fun fun! Treasure, pirates, booby traps, crooks, weird cellar dwelling humans, water slides, wishing wells and budding teenager romances, The Goonies has it all.

Directed by Richard Donner and written by Steven Spielberg and Christopher Columbus, The Goonies is one of those rare animals that thrills the children and bewitches the adults in equal measure. Romping along at a fair old click, the film never stops to pause for breath, thus dragging the viewers along for the ride.

There is no expense spared with the production (the sets are delightful) and the cast are mostly engaging. There's some minor annoyances, such as the girls being adventure caricatures, but itches are easy to scratch if you have engaged from the off with its fantastical charms.

It's a film that once loved in childhood should hopefully stay far beyond into your adult years. A junior Raiders Of The Lost Ark perhaps? Maybe not, but still one wholly satisfying action adventure experience, one that's standing the test of time for many of us with our fondly nostalgic glasses perched delicately on the end of the nose. 8/10
Such a classic!

Glad they shown this at the cinema when it reopened - it looked amazing in the big screen!

Directed by : Charles Graffeo, William Shakespeare, Mark Irwin, O. Nicholas Brown, Kimberly A. Tillman, Richard Gibbs, Andrew Lazar, Carol Winstead Wood, Gil Junger, Karen McCullah Lutz

Produced by : Charles Graffeo, William Shakespeare, Mark Irwin, O. Nicholas Brown, Kimberly A. Tillman, Richard Gibbs, Andrew Lazar, Carol Winstead Wood, Gil Junger, Karen McCullah Lutz

Starring : Heath Ledger, Julia Stiles, Joseph Gordon-Levitt, Larisa Oleynik, David Krumholtz, Andrew Keegan, Susan May Pratt, Gabrielle Union, Larry Miller, Daryl Mitchell

Company : Touchstone Pictures, Mad Chance, Jaret Entertainment

Release date(s) : 1999-03-30

Running time :97 Minutes

Country  : United States

Language :English, Français

Budget :  $16,000,000

Storyline :

Directed by : Sala Baker, Mary Vernieu, Matt Absher, Craig Alpert, Lauren Shuler Donner, Stan Lee, Rhett Reese, Rhett Reese, David Leitch, Simon Kinberg

Produced by : Sala Baker, Mary Vernieu, Matt Absher, Craig Alpert, Lauren Shuler Donner, Stan Lee, Rhett Reese, Rhett Reese, David Leitch, Simon Kinberg

Starring : Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T. J. Miller, Leslie Uggams, Karan Soni, Brianna Hildebrand, Jack Kesy

Company : Marvel Entertainment, 20th Century Fox, Kinberg Genre, Maximum Effort, TSG Entertainment

Release date(s) : 2018-05-10

Running time :119 Minutes

Country  : United States

Language :English

Budget :  $110,000,000

Storyline : The Mercenary with a mouth is back with the eagerly awaited arrival of “Deadpool 2”. The films sees the generally well-meaning but highly dysfunctional Deadpool (Ryan Reynolds), back to taking out bad guys as a contract player but also managing his relationship with Vanessa (Morena Baccarin). When an unexpected event sends his life into a freefall, Deadpool tries to find a new purpose with the help of his X-Men associates from the last film who attempt to recruit him into their organization.
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.

One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.

What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.

This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.

I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.

4 stars out of 5
An utterly hilarious movie, with hundreds of pop culture references. A movie that doesn't take itself seriously, creating a silly, yet sensible dynamic. A must watch!
All in all, I prefer a Marvel movie that doesn't take itself seriously, but the nonstop unseriousness of Deadpool 2 can wear you down, too.
Terminator + Adam Sandler = Deadpool 2. Anyone else notice that? Even Deadpool calls Cable Jon Connor but the whole movie is structured like a Terminator movie. Cable is like a combination of Jon Connor and a Terminator. All the comedy is styled just like an Adam Sandler movie. And that is it. Works pretty good oddly. It is the Terminator movie that never was. Though the director of the first Deadpool wasn't directing this movie he is actually directing the next Terminator film.
Takes some pretty hardcore departures from the first movie in terms of characters, but _Deadpool 2_ is still funny as Hell (maybe not quite as funny as it thinks but still, very very humorous) and Ryan Reynolds once again absolutely nails the titular role. I never loved either of these movies as much as it seems people did by and large, but I do **like** them, and that's not nothin'.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I have to say that I quite enjoyed this movie. Was there a lot of juvenile jokes? Oh yes. Was the characters sometimes over the top and silly? Yes again. Was the script and story anything to write home about? Of course not! Was there a lot of gratuitous violence? Hell yes! But then, this was pretty much what could be expected. Anyone offended or surprised by this should not really have picked this movie in the first place.

Despite the fairly juvenile jokes, the sometime illogical script and the way over the top chop-chop-and-chop-some-more violence I had great fun watching this movie. I really enjoyed the action sequences a’la Kill Bill, the special effects and yes, the jokes. Most of the time at least)

Everything was so silly and over the top that it actually became funny. Each scene, taken by itself, would probably have been considered silly, or even bad, by me but stringed together in the context of the movie as a whole it just worked. For me at least.

The action sequences, CGI and everything that should be in a superhero movie was, in my mind, quite good. Also, despite not really being anything to write home about the story was quite adequate. Simple, straightforward and a lot better than the crap that a lot of the stuff that social and political correctness preaching writers at Marvel are spewing out these days.

I definitely liked Cable as the hard hitting ass-kicking cyborg. When Domino was first introduced I was not impressed, even though she’s hot. I mean, luck as a superpower? However, when she started to pull all these hilarious stunts with these incredibly unbelievable chains of events I quickly changed my mind. Oh, and I did like Deadpool of course. That goes without saying. If you do not like the main protagonist it is difficult to like the movie itself is it not?

Most of the other characters were between okay and so so. The one character I never really liked was Firefist. He was never funny, just incredibly stupid and childish.

The team of fellow mutant “warriors” that Deadpool pulled together? Well let’s say that I am not that disappointed that they were somewhat “expendable” but it looks like that was the whole point of it. When the first of them whammed into that bus I thought “What the f…?” and then it just continued with one gory event following another. Nice touch with the blue blood by the way. I guess the guy was an alien after all.

To sum it up, a lot of the movie was pretty much what I expected but altogether I think I was positively surprised. Two hours of great fun actually.

Directed by : Andrew Stanton, Lee Unkrich, Bob Peterson, John Lasseter, Ron W. Miller, Tom Johnson, Ren Klyce, Ralph Eggleston, Daniel Gerson, Tia W. Kratter

Produced by : Andrew Stanton, Lee Unkrich, Bob Peterson, John Lasseter, Ron W. Miller, Tom Johnson, Ren Klyce, Ralph Eggleston, Daniel Gerson, Tia W. Kratter

Starring : Amy Poehler, Phyllis Smith, Bill Hader, Kaitlyn Dias, Richard Kind, Lewis Black, Mindy Kaling, Diane Lane, Kyle MacLachlan, Bobby Moynihan

Company : Pixar, Walt Disney Pictures

Release date(s) : 2015-06-09

Running time :95 Minutes

Country  : United States

Language :English

Budget :  $175,000,000

Storyline : This is the most incredible movie I've ever seen :)
Another great movie from Pixar. The story in entangling and is structured in a master way to show us in a nice recreation how the mind works and emotions like sadness are important for a healthy life.

A must to be seen.
A powerfully moving story, Inside Out takes place inside the mind of a young girl, Riley, as she tackles relatively normal hassles, from growing up to moving away. Inside her mind comes five emotions, all with different perceptions of life.

There's Joy, who takes charge and her job is to keep Riley content, Sadness, Anger, Fear, and Disgust, and together, they work together (or try) to keep Riley from harming herself. They live together in the headquarters, or Riley's head, and they look after Riley's memories.

After eleven years of enjoyment and content, Riley and her parents are forced to move out of Minnesota, away from her friends and hockey team, and moves to the city of San Francisco inside a desolate and cold house.

But things get even more anarchic when Joy and Sadness are sundered away from the rest of the gang, holding onto Riley's core memories that make Riley, well, Riley. One by one, the islands of personality fall apart as the rest of the gang back in headquarters watch in dismay and anguish. After all, Joy is not there to keep things under control.

Inside Out truly contemplates the hardships of growing up, but every problem comes to a heart-wrenching solution. The movie truly captivates this and continues the Pixar tradition of inspiration, family, and friendship in a little bit under two hours. Watch this, you must.
I think this is one of the best animated feature films I have ever seen, perhaps even the best one. It is very imaginative, for a start, colorful in ways that capture the eye, and its message is as deep as you want it to be.

By that I mean it would be productive and fun to watch this with children of all ages. The older or more mature the child is, the deeper you can delve into the issues of what to do about feelings of anger, sadness, and so on. With young children, you could even watch it first time through as it is, and save comments or life lessons for additional viewings. There is plenty of action and humor to be found here to entertain hem on that level.

And as a side note, we have no small children to watch this with, but it is also a good movie for adults to settle into, especially during times of stress or worry. We read a recommendation for it during the COVID19 crisis.

Directed by : James L. Brooks, James L. Brooks, James L. Brooks, Hans Zimmer, Janusz Kamiński, Francine Maisler, Richard Marks, Merideth Boswell, Jeannine Oppewall, Laurence Mark

Produced by : James L. Brooks, James L. Brooks, James L. Brooks, Hans Zimmer, Janusz Kamiński, Francine Maisler, Richard Marks, Merideth Boswell, Jeannine Oppewall, Laurence Mark

Starring : Reese Witherspoon, Paul Rudd, Owen Wilson, Jack Nicholson, Kathryn Hahn, Molly Price, Shelley Conn, Tony Shalhoub, Mark Linn-Baker, Lenny Venito

Company : Columbia Pictures, Gracie Films, Road Rebel

Release date(s) : 2010-12-17

Running time :121 Minutes

Country  : United States

Language :English

Budget :  $120,000,000

Storyline : Boring watch, won't watch again, and can't recommend.

Paul Rudd (especially) and Jack Nicholson are actors I would use as a barometer for movie quality, and even Reese Witherspoon (even though I'm not a big fan) usually is in quality movies, but this is just such a dud.

It's the rom com equivalent to watching paint dry. Everything about it draws enormous attention to what you would expect to be happening and not doing it. Trust me, I understand that subversion of expectation is comedy, but there is a rate of diminishing returns on the repetition and duration of the joke, and if you play with that line, then you're writing a comedy for comedy writers because they are the only ones that are going to look at the movie / life as a punchline, and I don't think that is what they were going for.

There is an underlying theme of patience and adaptability: life will even out even in the roughest of situations, but the movie just sort of stops without even an epilogue, they're just literally and suddenly not there anymore.

I think there is a lot to get out of the movie, if you're strong enough to reach for it: a man who has everything but doesn't give you what you need isn't as good a man who has almost nothing and wants to give you what you need. It's a counter argument to "Nice guys finish last".

Please don't waste your time, go watch anything else Paul Rudd has been in except for the one where he buys a French villa.